SO! Amplifies: Nameless Sound

A young Black girl, around 8-10 years old, is deep in concentration, playing music on a small white yamaha keyboard. She is wearing a pink jacket over a shirt with flowers and a woman's face on it. Her hair is pulled up, and she wears glasses. There are stylized purple contour lines layered on top of the image, which is set against a cream colored background.

SO! Amplifies. . .a highly-curated, rolling mini-post series by which we editors hip you to cultural makers and organizations doing work we really really dig.  You’re welcome!

Nameless Sound is a Houston institution, currently celebrating 25 years of bringing free experiences of experimental music making to the local community. The organization, founded by trombone player/composer/improviser David Dove, started out as a small workshop in improvisation for teenagers at the MECA (Multicultural Education and Counseling through the Arts), an arts community center in Houston’s 6th Ward. Dove realized through musical practice with his students that the opportunity for creativity was often missing in traditional musical education and that improvisation was, for him, the most immediate and inclusive way to collaboratively engage young people in creative music making. Despite widely varying musical expertise, the students were able to able to meaningfully collaborate with one another. Beginners were captivated and engaged, while students with more musical education were challenged and ready to experiment. Shortly after this realization, Dove became part of the Advisory Board of Diverse Works, an arts organization in Houston’s museum district, he began organizing concerts with leading experimental musicians, inviting them to lead sessions of his kids’ workshop at MECA.

A young Latine girl  dressed in brightly colored patterned shorts and a matching  T-shirt, sits on her knees over a xylophone. She holds the mallets, along with a woman who sits over her, helping her find the notes. Only the woman's torso and legs are visible
courtesy of Nameless Sound

It was Houston’s own Pauline Oliveros who encouraged Dove to formalize this residency model–experimental musicians come to town, give a public performance followed by a community workshop for young people–that would become the blueprint for Nameless Sound’s work today. The organization actually began as a branch of the Pauline Oliveros Foundation in 2001 (and would come to be called the Deep Listening Institute Houston when Oliveros’s organization took on that name). That year they brought 9 artists to Houston and started a ongoing campaign of improvisation workshops in public schools (known then as The Houston Tour).

In 2005 Jo Ann Williams, art therapist and founder of ArtBridge Houston, invited DLI Houston to start giving workshops for children in some Houston homeless shelters. This was an important turning point for DLI Houston. It widened the age group that the organization worked with. It began a practice of facilitating workshops for people who previously had no experience playing music at all. Perhaps most importantly, Nameless Sound began to witness the potential for social-emotional learning in the improvisational process, and they began to understand how a secure framework for creative music making could also provide a safe-space for emotional vulnerability.

In 2006, with the blessing of Oliveros, DLI Houston broke off from its parent organization and became Nameless Sound, a fully independent 501(c)3 non-profit. Over the past 20 years, Nameless Sound has continued to evolve. Its concert series has become known for a diverse range of international artists who represent the most important and influential names in the music, as well as the emerging cutting-edge.

The series features commissions and world-premieres, as well as special projects that entail collaborations between visiting artists and local musicians. Site-specific events in some of Houston’s most interesting art environments often bring in visiting audiences from outside of the city. Visiting artists have included Susie Ibarra, Damon Smith, Keiji Haino, Louis Moholo, Maja Ratkje, Cooper-Moore, Matana Roberts, and Hamid Drake. Occasional interventions bring ears to seemingly unlikely public listening spaces. And one of our ongoing projects outside of Houston brings audiences to The Hill of James Magee, an art installation on private land in the West Texas Chihuahuan Desert.

a hand-drawn 1980s flyer for a Rock Against Reagan concert at the Lawndale Annex, on Friday April 6th, 6:30 pm-? with many bands and speakers and a "CHEEP" price.
Flyer from the online collection of Ozone City Outrage : Houston’s Punk History

One of Nameless Sound’s most popular interventions is They, Who Sound, which started out as a series of casual sessions at local Houston bars. After some challenges and changes in location, Nameless Sound officially took on They, Who Sound in 2018 as a weekly series of concerts in partnership with Lawndale Art Center. For Lawndale, the series represented something of a return to roots, as in the 1980’s, Lawndale’s original location was the site for some of the most memorable experimental music and underground rock events in Houston. Sun Ra, Anthony Braxton, Pauline Oliveros, Cecil Taylor and the Art Ensemble of Chicago all performed there, as did Black Flag, The Minutemen and the Replacements.

For Nameless Sound, They Who Sound was an opportunity to provide a stage and shed light on Houston’s diverse, vibrant, and unique experimental music scene. It has endured as a meeting place for Houston listeners and experimental musicians, and as a lab for new developments. In response to the COVID-19 pandemic and quarantine, Nameless Sound contined to innovate and serve the community, creating They, Who Sound Special Delivery. For a small fee, anyone can schedule a They, Who Sound musician to come to their home and perform a 10 minute piece of experimental music from a safe distance.

They, Who Sound continues in concert with the Lawndale Art Center every Monday from 7:30 to 9:30pm (Doors open at 7pm). Coming up September 28th, 2026 Nameless Sound will host Emily Beisel/Lisa Cameron & Laura Dykes/Kodey Saldaña/Thomas Swindell. For videos of past performances and to subscribe to receive future updates, you can check out Nameless Sound’s Youtube Page or follow on Vimeo.

A flyer for the upcoming They, Who Sound concert on Monday, September 28th at 7:30 pm. Doors open at 7 pm. at Lawndale . There is a large image of a Latine man with dark hair and a beard playing the sax on the right side of the flyer, with a smaller image if a person with long bangs playing the piccolo while holding a sax on the left.

Nameless Sound remains committed to a vision of personal and community evolution supported by the practices of creative music. Creative music improvisation provides a unique opportunity to cultivate group awareness, self-awareness and healthy vulnerability, with potential outcomes of knowledge exchange, creative work, play and healing. The skills developed through musical improvisation emphasize listening, creativity, spontaneity, dialogue and self-expression. There are free ongoing workshops through September 2026 and more to be announced.

Other upcoming events for Nameless Sound to close out 2026:

  • October 10, 3 – 5 pm, Dimensions Variable at Moody Center for the Arts, Rice University. Laura Dykes and Aryn Ward on/with Nanibah Chacon’s Where Two Rivers Meet. As part of The Moody Center’s Dimensions Variable series, in conjunction with the exhibition Radiant Geometries: Vectors of Knowledge from the Indigenous Americas
  • November 12, 7–8 p.m, Vitalized Vitalized at Menil. : The Nameless Sound Ensemble creates and performs scores based on works by Terry Winters. Presented in conjunction with the exhibition Terry Winters: Vitalized Geometry, This program takes place in the main building, located at 1533 Sul Ross Street. As always, Menil programs are free and open to all.

Nameless Sound is currently in Fall Fundraising mode, with an anonymous donor matching every gift up to 8,000 dollars through TODAY, September 21. Here’s to 25 more years of Nameless Sound with ongoing support from local and global sound communities!

—

This is a close up of a reel of tape that Sounding Out! uses to signal the idea of "rewinding" to look at previous posts

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SO! Amplifies: Wu Tsang’s Anthem (2021)

SO! Amplifies: Carleton Gholz and the Detroit Sound Conservancy

Queer Punk Archives in Motion

Queer Punk Archives in Motion. Team Dresch, Queeruption and cultures of queer DIY Wednesday 30 September 2026, 3-6pm @ MayDay Rooms, London Before pioneering queercore band Team Dresch return to London for the first time in decades, join us at MayDay Rooms for an afternoon exploring the archives of queer punk, DIY culture and collective […]

Digital Tribulations 25: Building Technological Sovereignty from Below, The Experience of Argentine Cooperativism – Interview with Cecilia Muñoz from Código Libre

The introduction of Digital Tribulations, a series of intellectual interviews on the developments of digital sovereignty in Latin America, can be read here and the entire series can be found here.

During the month I spent in Buenos Aires, the last city I visited before finally flying back to Europe, I managed to get a firsthand look at its famous cooperativist scene, which extends to platforms. By “famous” I of course mean a niche that has accompanied platform studies since the sharing economy: platform cooperativism. I first came across it through the pioneering work of Trebor Scholz, and I became more familiar with it thanks to the prolific scholarship of my Brazilian friend Rafael Grohmann. He was the one who gave me Cecilia’s contact, along with the phone number of a fellow Italian, Stefano Tortorici, who is writing his PhD on platform cooperativism. As two Italian researchers in our semi-nomadic phase, I bonded with Stefano and ended up hanging out with his numerous artistic housemates, who shared a house not far from the gentrified Palermo neighborhood.

Cecilia was hard to reach – she has a chaotic good energy that comes through in the interview – but when I finally entered the base of the Código Libre Cooperative, on the third floor of an old building in the center of Buenos Aires, I was welcomed by a lovely crew with diverse backgrounds. It was around lunchtime, so they bought a box of empanadas and placed it in the middle of the table for everyone to share. After some chatting, I joined Cecilia in her room and started asking her questions about how her cooperative came about.

***

How did you end up joining the Código Libre cooperative?

I am a psychologist. I came across technological cooperativism after having always worked in technology, although mainly in educational technology. I learned about FACTTIC while working as a teacher, researcher and outreach coordinator at a public university here, the National University of Quilmes.

For many years, I worked in what are known as “technology and social and solidarity economy incubators”, which is the terminology used here in Argentina. From the incubator, we began promoting the organization of technological cooperatives, and eventually I ended up working in one that had, to some extent, originated there. I continued working at the university for many years. I am not doing it at this stage, because my goal is to finish my thesis, after which I expect to return.

That is how Código Libre was founded. Código Libre has been operating for seven years; we will celebrate our eighth anniversary this year. It is a first-degree cooperative that is part of the federation. It is a worker cooperative dedicated to software development, with a focus or specialization in managing projects with a social impact and in issues related to a gender perspective.

This originated in a decision made by the cooperative after three years of existence: to consider the composition of its team from an intersectional perspective. We began carrying out searches specifically aimed at reducing gender stereotypes and forming partnerships with other organizations working on these issues. There had previously been some public policies in this area, although there are no longer any, but civil society organizations continue to work on it. We establish partnerships and conduct searches from a gender perspective, seeking to diversify the sector and to think about technology in terms of whom it is designed for and how it is designed, so as not to reproduce biases.

We have been part of FACTTIC from the beginning. In fact, the federation provided considerable support during the cooperative’s consolidation process, and we are now part of the federation’s board of directors. FACTTIC has a fairly dynamic structure. I am currently the vice-president. There are also different spaces in which people participate. There are no formal coordinators; rather, there are spaces in which people assume different levels of responsibility.

Could you tell us about the history of FACTTIC and what it currently does?

FACTTIC (Federación Argentina de Cooperativas de Trabajo en Tecnología Innovación y Conocimiento) is the Argentine Federation of Worker Cooperatives in Technology, Innovation and Knowledge. I understand that it is about fifteen years old. It was founded by five cooperatives and grew in a fairly steady and continuous way. From Deconstrucción, the federation’s gender-focused space, we prepared a report in 2024. Beyond the gender-related issues presented in the report, which are interesting in themselves, it was the federation’s first comprehensive report and established a baseline for understanding its growth and development. It is already out of date in terms of its territorial presence, since we are now present in more provinces.

Over the past two years, we have grown considerably, not only in the number of cooperatives but also in the number of sectors represented, which have become much more diverse. Most of the cooperatives develop software, but there has always been some working in communications, hardware or services. More recently, one cooperative working in engineering and another in telecommunications joined us, as well as a magazine focused on graphic design within the communications sector. The name encompasses a range of issues related to innovation and communication. This has happened quite significantly in recent years, creating the challenge of finding a common meaning and relating these activities to one another, because software development plays a major role in terms of cultural identity and the management of inter-cooperative work. We are now facing the challenge of thinking through these interactions.

What is the difference between these cooperatives and capitalist enterprises?

We are worker cooperatives. Argentine cooperativism takes different forms: there are, for example, service, worker, housing and consumer cooperatives. From a legal and formal standpoint, the characteristic of worker cooperatives, in any sector, is that each person owns the enterprise. Service cooperatives, for example, may have employees. Banco Credicoop is one example: its members are the clients. In our case, we all own our enterprises.

That is the main difference from a capitalist enterprise. Cooperatives are enterprises made up of people, and each person has one vote. There is no share capital that would allow someone to hold half plus one of the votes. Any surplus and resources generated are distributed according to the criteria established by each cooperative.

Regarding the type of technology, although it is diverse, FACTTIC is oriented toward the development of free technology; many people come from the free software movement. There is also something specific about the relationship with technology: we are local. It is not possible to be a transnational cooperative. Development is rooted in one’s territory. There is always an interest in developing things that are useful in specific territories, whether at the national, regional or local level, in a neighborhood or a town.

The logic of a cooperative enterprise is necessarily territorialized. I think this is one of the most important aspects, because technology companies have taken delocalization to an extreme: “I am wherever I pay the least taxes,” or “I manufacture the hardware in China.” There is something about technology, especially digital technology, that seems to fit well with this logic because “it is in the cloud.” In fact, Cambá, one of FACTTIC’s cooperatives, used to offer a course whose title was: “The cloud is someone else’s computer.” We work extensively to anchor technology in social needs, whether in public universities, cultural centers or training workshops.

How is the federation organized technically and politically with regard to inter-cooperation?

FACTTIC has a board of directors that meets weekly. It also holds monthly assemblies on the first Tuesday of each month, attended by representatives of the different cooperatives. Then there is a second meeting, known as the “expanded board,” which is a more deliberative and decision-making space than the assembly.

The different spaces are dynamic and change according to interests and needs. They operate through Telegram or Mattermost groups. For example, there is an administration group where administrative teams can resolve management issues, especially in Argentina, where laws and the exchange rate change constantly. We are always working through the many twists and turns required to collect the money that is legitimately owed to us. The Deconstrucción space, which focuses on gender, was also very active. It produced the report and led to the amendment of the federation’s bylaws. These are the first bylaws of a federation of cooperatives in Argentina to incorporate a gender perspective.

Are there any cooperative-platform projects?

Yes, we are involved in six or seven projects at different stages of development, in partnership with the University of Buenos Aires and the Gino Germani Institute. Semillero COOP is a beta version of a platform designed to facilitate job searches for cooperatives. It originated in the gender space, because the cooperative technology sector is dominated by cisgender men. One part of the problem was that, when searches were conducted, other profiles did not appear. There are prior forms of discrimination, such as those present in university education or the exclusion of trans people from educational systems. 

But we also noticed something that was correlated with research on cisgender women: we tend to undervalue our own knowledge or feel insecure about it, which is often referred to as imposter syndrome. We looked for ways of asking questions that would not discriminate and of valuing forms of knowledge that are important to us, such as experiences in activism, political organizing or social movements. These people will become owners of the cooperative, just like us, so a match in terms of values is fundamental.

We also worked in partnership with the CoopCycle project, which involved adapting a tool and a federation of cooperatives that already existed elsewhere in the world. Following the philosophy of free software, it made no sense to develop something of our own when we could collaborate with an existing project. We learned a great deal and left the tool up and running.

This took place when delivery platforms began to become a major issue, particularly during the pandemic. Several colleagues were already taking courses on cooperative platforms in partnership with The New School in New York. Later, I also had the opportunity to participate in a research program at the Platform Cooperativism Consortium two years ago, and my thesis supervisor is also an associate researcher with that team. This is a very powerful feature of our spaces: they are woven together through research, work and political activism.

How do you manage commercial work and scale?

The most important and most frequently meeting space is the GSU (Grupo de Soluciones Unidas), antes llamado FIT (Flujo Intercooperativo de Trabajo). This is where we meet to think about inter-cooperative work. The vast majority of FACTTIC cooperatives have a very high percentage of inter-cooperative projects.

This makes sense because smaller cooperatives do not have enough profiles to take on very large projects. Since each cooperative decides how much and in what way it wants to grow — understanding growth as adding new owners, not simply hiring employees — inter-cooperation makes it possible to respect each cooperative’s own pace while still delivering high-quality responses to large projects. It also serves as a form of internal technical training: you work with people who have more experience, without a serious mistake made in front of a major client becoming definitive for your cooperative.

During periods of crisis, we reorganize our strategies. We currently have a more active policy of developing our own commercial tools and avoiding the fluctuations of a global market that tends toward concentration. We work on “business verticals,” such as AgroTIC, which focuses on software development, automation and drones for the agricultural sector. There are cooperatives such as Tecso, in Rosario, which has between 150 and 200 members and significant developments in artificial intelligence and agricultural automation. Another line of work involves considering national and regional partnerships.

What is the challenge of starting a cooperative in Argentina today?

Administratively, I do not think it is difficult. The legal framework is still functioning, and everything is digital and online. Although the body that regulates cooperativism, INAES, is no longer promoting it as actively, it is not blocking registrations. Creating a cooperative is relatively simple: you need six people, and then maintaining it from a tax perspective is relatively inexpensive.

The greatest challenge is finding a place in the labor market and identifying a market niche. A recurring mistake is for a cooperative to be organized solely by people from the IT world. To manage a cooperative, you need administrative, commercial and institutional profiles. During periods of full employment, this is easy, but in difficult times you need commercial capacity. Código Libre would not have survived without FACTTIC. Joining the federation saves you from making mistakes and allows you to ask questions of people who already have the answers. You can join projects with other cooperatives and receive specific training through the work itself.

The “founding moment” is also crucial: deciding to channel all of your economic activity through the cooperative. There is a freelance and individualistic logic that is deeply rooted culturally. For example, I transfer my research projects to the cooperative, including one on artificial intelligence that I won with colleagues from Manchester and my thesis supervisor, funded by Geneva. The money I receive goes to the cooperative, and my hours belong to the cooperative. It is a political and technical decision. I want to work less, distribute everything and be happy.

Where does the strength of cooperativism in Argentina come from?

They were already there when I was born. The official history found in books links this tradition to Italian and Spanish anarchist immigrants who brought these models with them. The first cooperatives were related to the sectors in which those migrants worked. Compared with Brazil, our law is better, although Uruguay’s is superior. There is a great deal of housing cooperativism there, even in the capital, which shows that space is made for it. In fact, housing cooperativism is very widespread and very strong. For example, in the capital of the country, where access to housing is completely commodified, the existence of housing cooperatives shows that they are genuinely given a place within the system. This makes things much easier: establishing a cooperative is not very expensive and it does not require a very large number of people. All of this makes the cooperative a legally accessible tool for organizing and reproducing work.

There is also an issue connected to recovered enterprises. A great deal is said about them, and there is extensive literature on the subject. My thesis supervisor, Nikita Parán, worked for many years studying recovered enterprises around the world. Her doctoral thesis was on this subject. The concept refers to enterprises that were abandoned or bankrupted by their owners and were subsequently recovered by their workers, generally in the form of cooperatives. I think this is an important factor: during periods of crisis, when companies go bankrupt, workers decide to recover them through cooperatives. There were also public policies that supported this process.

I began working at the university in that context. I was already a teaching assistant at the University of Buenos Aires, where people work for free to a considerable extent. During the governments of Néstor Kirchner and Cristina Fernández, several new public universities were created in areas where there had previously been no access to higher education, where class barriers prevented people from traveling to Buenos Aires or La Plata to study. These universities created jobs for many professionals, including me, because there were no salaried positions at the University of Buenos Aires. While I was working at the University of Quilmes, the Argentina Works program was implemented. It promoted the creation and training of cooperatives.

There were many discussions about the type of cooperatives being created and their capacity for self-management, since they were self-managed but created by the state, which is somewhat of an oxymoron. Even so, the initiative made sense. I worked on it through the university because the program involved not only creating cooperatives but also providing training. Five or six public universities formed teams of hundreds of teachers who provided training in the social economy, self-management and cooperativism to people who were joining cooperatives. The situation was: “I am now a cooperative member, but I do not know what a cooperative is.”

The logic of the program was to break with clientelist relationships based on individualized social assistance, which often led to corrupt practices. Instead, the aim was to organize work collectively and accompany it with training. It was a very interesting experience because you worked in working-class neighborhoods with people who had often had negative educational experiences in the past or had not completed secondary school. Through this initiative, they had the opportunity to reconnect with educational processes. Many people became motivated, continued studying and eventually completed university degrees. 

Most of them were women, many of them around fifty years old, who had spent their lives raising children or working in precarious jobs and who found an opportunity there to resume their studies. For me, it was a deeply transformative experience to see a fifty-year-old woman receive a university degree and hand it to her granddaughter. In addition, these universities had a very high proportion of first-generation university students. It was clearly a policy of social advancement linked to the promotion of cooperativism. The form of enterprise chosen was not the capitalist enterprise but the cooperative as a model for organizing work. So I understand that all of this was the result of a synergy between historical factors and different public policies that moved in the same direction.

Fig 1. A picture on the wall at Código Libre.

How does this relate to digital sovereignty? Is it a popular perspective, like that of the MTST in Brazil?

Yes, explicitly. FACTTIC’s main objective is technological sovereignty; it is the foundation of everything. As I was saying, cooperatives are necessarily local. This is not only a matter of values but also a logic of survival: it is what we are. It could not be otherwise. In this sense, the idea is to have technology developed by workers and used by workers, which is very close to the notion of popular digital sovereignty proposed in Brazil. I read that book and really liked the concept. We did not use that term ourselves, but I think it is very powerful. In fact, I set myself the goal of translating it, or at least preparing a summary to share, as part of an agreement we are working on through Código Libre — although I see it as something that could be extended to the federation as a whole — because we feel that we can make a contribution there by facilitating those connections.

When we talk about sovereignty, there are also different ways of understanding it. There is the more traditional conception, associated with the state, and there is another that is more closely linked to popular power and autonomy.

Europe prioritizes joint regulation and negotiation as a bloc in relation to powers such as the United States, although it neglects its industrial policy. Latin America, by contrast, lacks this kind of organized regional consolidation. Despite the consensus around the need to cooperate, regional integration remains a pending task.

Within FACTTIC, at least in the political debates we have had, there is a range of positions that have not been fully systematized or unified. Unlike the MTST, which is a political organization and has more explicit or synthesized debates, FACTTIC does not organize its day-to-day work around this discussion. It is organized primarily around how to sustain and develop the cooperatives’ work. Different perspectives therefore emerge in the spaces for debate. They are not contradictory, but they place different emphasis on different issues. Some people associate sovereignty more strongly with free software and the development of our own technology. Other cooperatives, while not opposed to this, do not prioritize it in their everyday practices. 

This is clearly visible in the IA4COOPS space, where we work on issues related to artificial intelligence. Some cooperatives use existing tools, such as Copilot, to speed up their work, while others focus more on developing their own infrastructure, adapting models or exploring alternatives. Some have a more restrictive position regarding the use of tools developed by large corporations, while others are more flexible.

I am not presenting this as a value judgment, but rather as different levels of commitment to certain principles. In practice, FACTTIC as a federation does not block any of these positions. Each cooperative is autonomous and decides how it wants to work. There are debates, and experiences and tensions are shared, but there is no centralized control or system of sanctions. For example, a cooperative has never been excluded because of such decisions. The logic is instead to share what can be shared and respect autonomy in other areas.

How are FACTTIC cooperatives connected internationally and regionally?

We, the FACTTIC cooperatives, have historically built connections with different networks: in Europe, the United States, Canada and the region itself. For example, a Chilean software-development cooperative participates in the federation. It is Chilean, but it has moved closer to FACTTIC because it is practically the only technology cooperative known in Chile. So there is also a strong connection with the southern part of the region and with cooperatives in neighboring countries.

We also participate in regional networks, particularly networks of incubators in the Americas that are affiliated with the ICA, the International Cooperative Alliance, and are strongly promoted from Uruguay. We have participated in these spaces, events, activities and concrete projects organized through international cooperation, especially with cooperatives from different countries in the region.

What challenges do you encounter in these collaborations, particularly in relation to the Global North and Latin America?

Within this framework, we are trying to build things. In particular, this is something that interests us greatly at Código Libre: thinking about how to create forms of collaboration that do not reproduce colonial logic. Today, there are much more accessible channels for providing services to Global North. As a colleague from another cooperative once said: “We ended up solving the gringos’ problems.” This is facilitated by the international division of labor.

Something similar happens in software to what happens with food: you export raw materials and then buy the finished product from Global North. By contrast, channels for regional collaboration are much less developed. That is why several cooperatives — and we in particular — are investing a great deal of energy in thinking about forms of collaboration that are not merely symbolic or political. There are many events, conferences, forums and research projects. Many people come to study us, which is fine, but we also want there to be economic feedback.

This is interesting because some of us are a little “amphibious”: we work in academia and in cooperatives. So we think about how to create bridges through which real value can circulate. Ultimately, the survival and multiplication of technological cooperativism depend on this. It is not easy. When you try to do it, many barriers appear: cultural barriers, colonial barriers and different ways of understanding relationships. For example, when I traveled to Africa, I realized that I had much more in common with African countries than with countries in the Global North. And yet we tend to build more connections toward the North because that is where we place value, money and work.

In practice, there are also legal and regulatory barriers to inter-cooperation between countries. Cooperative platforms face the same problem: scale is designed for capitalist enterprises. The logic of globalization favors those enterprises, which have the political, legal and cultural tools needed to expand. Uber is everywhere in the world. Cooperatives operate according to different logics. That is why it is interesting to think about these points of connection. CoopCycle, for example, is one case. Another is the relationship between Brazil and Argentina, the two largest countries in the region. Mercosur provides a framework, but we are interested in thinking about what we can do through cooperativism and self-management to build relationships that are not merely symbolic but also material and economic.

Otherwise, Brazil and Argentina end up consuming technological services from large corporations when they could be developing their own capacities. It is not easy, but at least it means stopping thinking that it is impossible and beginning to move in that direction. Introducing the economic dimension is essential because it makes it possible to see where the real obstacles are. One example is the work with the MTST in Brazil. They have training centers for software development, but the only employment option available to the people trained there was to work for private companies. In other words, the value they generated was appropriated by others. They have now created a civil association to channel this work, and we are signing agreements to develop software together. The idea is to think about joint projects between Brazil and Argentina. For example, we could bid for public contracts, which involve a significant volume of work. This requires building consortium capacity among cooperatives so that we can take on these projects.

Finally, how does artificial intelligence enter this picture within FACTTIC?

Last year, we created a new space called IA4COOPS, which has a website where the issue is explained in greater detail. In general terms, many cooperatives are currently developing their own artificial-intelligence projects, especially using local servers and processing. For now, these experiences do not have direct commercial objectives. They are primarily spaces for experimentation, technological appropriation and political positioning: demonstrating that things can be done differently.

At the same time, most cooperatives use existing tools to program faster or better, often tools provided by our clients themselves. The debate therefore concerns how these tools are used: whether one depends directly on external models or tries to develop or adapt one’s own models.  There are different positions at the level of each cooperative. At the federation level, the aim is to enable projects that we would not be able to carry out individually. This creates space for broader debates and for thinking about more ambitious initiatives, whether for social or commercial purposes.

We also closely follow the broader political debate. For example, we look at the financing of large technology companies, which is often connected to the military industry or to other highly controversial industries. This makes clear that there is no such thing as “pure” technology. Everything is shaped by power relations and forms of financing. The challenge, then, is to think about how to appropriate these tools or develop our own alternatives without becoming completely subsumed into that model. That is more or less where the debate stands at present. As the research progresses, we will probably gain greater clarity.

Fig 2. A flyer.

Anarchist Media as Collective Infrastructure

12:45 – 13:45 @ the London Anarchist Bookfair, September 26th, Cinema Bar in Richmix What if anarchist media were understood not simply as producing books, magazines, podcasts or online content, but as part of the infrastructure through which people meet, think, organise and act together? Taking ideas around publishing as collective infrastructure as a starting […]

Teaching Back to the University

Teaching Back to the University

By Brandon Walsh

It is an enormously challenging time to teach. It can be easy to feel helpless, as a broad web of forces influences what teachers and learners can and cannot do together.

Embedded Pedagogies: Digital Humanities Teaching and the Infrastructure of Change offers a roadmap for university workers caught between the powers that shape the work that they do and the teaching that they hope to see in the world. The book argues that administrative norms, policies, and procedures push our teaching in directions instructors might not desire, acting as embedded pedagogies that structure the possibilities available for teaching and learning. Speaking from the standpoint of a digital humanities practitioner working in a university library, Embedded Pedagogies examines the intersections between teaching and administration with a view to shedding light on how they influence each other. We might use budgets as teaching objects to facilitate conversation about the political economy of the university and how we can more fully center students in our work. We might design classroom assignments that aim to help students define and empower their communities. Or we might engage students directly in the project of designing the future of the university. We all teach, and we all have something to give.

Each chapter of the book focuses on the stories that universities tell about themselves, how these narratives impact our work as teachers and administrators, and how readers can teach their way to better circumstances. Universities claim to be knowable, but this understanding is limited by design and obscures their inner workings from their teachers and learners. They offer statements of aspirational neutrality when confronted with political challenges, leaving the door open for hostile actors to undermine the very foundations of education. They frame themselves as rigorous and intellectual at the cost of the bodies and workers in their midst.  And they position themselves as preparing students for the world of tomorrow while they structure those possibilities around conservative, pre-determined visions only available to a few. In contrast, Embedded Pedagogies argues for teaching that is transparent rather than opaque, committed rather than neutral, embodied and collective rather than individuated and intellectual, and that generates possibilities rather than pre-determined futures. Far from helpless, Embedded Pedagogies encourages educators to see themselves as the infrastructure of change that they want to see as they teach their way toward a brighter tomorrow.

Embedded Pedagogies is freely available through the Open Book Publishers website, where you can also purchase a variety of print and digital versions.

Teaching Back to the University

Proposal for Autistici/Inventati

Translation from Italian original.

We have drafted a proposal: can the European Commission protect Autistici/Inventati from the effects of the sanctions imposed by the Trump administration? We have spoken with lawyers, involved several Members of Parliament, and we know that there is a legal avenue to protect European citizens, organisations and banks from the extraterritorial effects of these sanctions. But legal instruments need to be matched by the political force required to use them.

Banca Etica, by contrast, continues to argue that fighting to make this happen is not its responsibility and that its priority is simply to protect itself.

Ilaria Salis and Benedetta Scuderi are already taking action in the European Parliament, but the road will be long. I firmly believe that this is not the time to remain indifferent.

In a September in which far-right forces continue to advance in Germany, and in which the United States is placing people and organisations committed to antifascism and the defence of rights on a blacklist, despite there being no judicial conviction against them in Italy or the European Union, the response cannot be: let it go, better not to raise our heads too much.

The fear of speaking out, remaining silent in order not to be the next target, choosing to look away from what is happening: these are precisely the behaviours that risk dragging us all into the abyss.

International judges, Francesca Albanese, Autistici/Inventati: the list keeps growing and, despite this, no Europe-wide public campaign capable of confronting politically what is happening has yet emerged. Do we really have to wait until that list grows even longer before doing something?

Read the article, understand carefully what has happened, and let us start discussing together how to build a public campaign at European level.

For me, there are three central political issues at stake.

1. Communication and digital autonomy.
The Trump administration and part of Silicon Valley are converging towards a model in which communication, privacy and freedom of expression increasingly depend on a small number of private and state-controlled infrastructures. Those who build autonomous tools outside this monopoly risk being criminalised or excluded from essential services. This process progressively calls into question one of the fundamental pillars of liberal democracy: the ability to communicate, organise and express ourselves without being entirely dependent on infrastructures controlled by a handful of actors.

2. Antifascism and European political autonomy.
Europe, whose post-war democratic order is founded on the rejection of the Nazi-fascist project, is now facing transnational authoritarian pressure that tends to criminalise institutions, organisations and movements committed to defending antifascism and fundamental rights. The issue therefore concerns much more than Autistici/Inventati: it concerns Europe’s political autonomy and its ability to defend the democratic principles on which it claims to be founded.

3. European financial autonomy.
The A/I case shows just how fragile this autonomy currently is. A decision taken by the Trump administration can have immediate consequences in Europe: an entity that is not sanctioned by the European Union can lose access to its bank account because European intermediaries fear the consequences of US sanctions, exclusion from international payment networks, or difficulties in carrying out transactions in US dollars.

The question is very simple: is it acceptable that the rules effectively governing the European market are, in practice, determined by a US blacklist? Is it possible that Europe lacks both the negotiating power and its own European payment-card infrastructure to prevent this from happening?

Political autonomy, digital autonomy and financial autonomy are, in this case, part of the same struggle.

CERFI: Analysis Everywhere – London Book Release Events

From 16–18 September, Minor Compositions marked the publication of CERFI: Analysis Everywhere. Militancy, Research, Architecture and Psychiatry by Susana Caló and Godofredo Enes Pereira with three events across London. The book reconstructs the history and practices of CERFI – the Centre for Institutional Study, Research, and Training, co-founded by Félix Guattari – and its experiments […]

Caliban & the Castle

For Heritage Open Days 2026, we took a copy of Silvia Federici’s Caliban and the Witch to Colchester Castle and read several passages inside the building. In 1645, the Castle was used to imprison and interrogate women accused of witchcraft during the East Anglian persecutions associated with Matthew Hopkins. Federici does not mention Colchester itself, […]

Digital Tribulations 24: Perspectives of Digital Liberation in Latin America Between Dependency, Labor, and Automation – Interview with Juan Martin Graña

The introduction of Digital Tribulations, a series of intellectual interviews on the developments of digital sovereignty in Latin America, can be read here and the entire series can be found here.

I met Juan Martín Graña, a CONICET researcher, one morning in early April in Buenos Aires, at a café called Aromi, near Parque Centenario, in the Caballito neighborhood. We were put in touch by Cecilia Rikap, who recently published the book Teoría de la Dependencia Digital, so far only available in Spanish, and whose book presentation, held at the public School of Economics of the UBA, I attended in a packed room. 

Juan and I sat down at a large round table, ordered the inevitable coffee and medialunas, and began talking for about an hour about the political economy of digital dependency in Latin America. Over the course of the long conversation, Juan Martín laid out a framework that challenges mainstream narratives about automation and job loss in the Global South, arguing that the real risk is not mass unemployment but a deepening technological gap that translates into low wages and precarious work. 

We discussed how this plays out concretely in the region’s software industry, squeezed between cheaper labor markets and the rise of generative AI, and in local platforms like Mercado Libre, which, despite reaching the technological frontier, remain subordinate to big tech infrastructure such as Amazon Web Services. From there the conversation moved to the political possibilities opening up in the region, from Brazil’s Pix as a model of public digital infrastructure to Argentina’s ARSAT, and to the broader question of how to build a genuinely Latin American path toward digital sovereignty. 

Close to the entrance of the bar I found a sentence written on the wall reading Milei nos odia – Milei hates us.

***

Fig 1. At the University of Buenos Aires

What do you do, and what is the subject of your research?

I’m an economist by training. I did my PhD in Economics here in Argentina, at the University of Buenos Aires, and I’m a researcher at CONICET. My workplace is the University of San Martín, at the Center for Studies on Economic Development. Since my doctoral work, I’ve almost always worked on issues related to economic development, with a strong emphasis on the labor market. The general idea behind my research is to connect the production and accumulation conditions of firms and countries with how that translates into employment conditions, wages, and job quality.

In recent years, together with Cecilia Rikap and other colleagues, I started studying how new technologies are affecting that relationship, along two main lines. One has to do with the digital economy in a stricter sense, with the relationship between firms and how that translates into technological dependence. We did a couple of studies on Siemens and its technological dependence on big tech worldwide, and one on Mercado Libre, trying to discuss to what extent the digital economy is a window to development for Latin America or not.

The other line has more to do with the labor market: how these new technologies applied to production are changing the profile and quality of employment, especially in Latin America, because we’re at a fairly weak stage in terms of our own theoretical production. There’s a lot of simply replicating theoretical frameworks that come from the Global North, as if labor markets worked the same way everywhere.

This idea of technological unemployment, the fear that machines will replace workers, doesn’t hold in the same way in Latin America, because the conditions under which labor is hired and the conditions under which firms produce are radically different. From there comes the need to, together with Latin American theory, produce a more applied translation to the territory, one that’s useful for thinking about public policy and union strategies in the face of technological change, which is a reality.

What are the specific conditions in Latin America compared to other places?

The mainstream framework for thinking about the impact of technological change on employment consists of studies claiming that a certain percentage of jobs have automatable tasks and that those jobs will eventually disappear. It’s the idea of polarization, of the hollowing out of the middle class.

That this is based on the idea that, in the economic system of developed countries, when a technology becomes available it’s automatically adopted by firms and automatically reflected in the market. When you look at Latin America, there are two major factors that differentiate how labor markets work in the Global South, and in Latin America in particular, compared to the developed world.

The first has to do with the cost and skill level of the labor force, which in many cases is so low that the cost of machinery or more sophisticated technology ends up being comparatively so high that there’s no economic incentive to adopt it. The idea of replacement that Marx discussed doesn’t operate directly in Argentina or Latin America, because it can genuinely be much cheaper to produce with older, labor-intensive technology than to make the technological leap. That’s why we need to look at the whole world of the informal sector, something we’ve been discussing in Latin America for a very long time.

The second point, which generally goes unnoticed, is that when you do fieldwork with companies, you find that a large share of them don’t even have the capacity to adopt these technologies. Small firms often look for contractors to develop robotics applications or similar tools, and the same technology consultants ask them whether they have any qualified technician who could fix the machines if they break down, or whether they even know what these technologies are for. The answer is usually no. So, beyond what studies say about the risk new technologies pose to the labor market, those effects need to be moderated by how the labor market actually functions and by firms’ real capacity to adopt technology.

Last year we did a study where we built an index to weigh that potential risk, mediated by wage differences between Latin America and the USA or Europe, and by existing technological capabilities. That index showed that, in many of these sectors, even the most advanced countries in the region have wages that are half those of the USA, and that internet connectivity is also about half. Several factors point to the fact that the problem for the labor market in Latin America today isn’t technological unemployment, because not every firm is going to buy the technology and replace workers, but rather a deepening technological gap. USA, Europe, and China are applying these technologies, and the region is going to fall further behind. That’s going to affect the labor market with more poverty and more precarious work, because firms, in order to stay competitive, will have to cut wages.

I think the logic that fits Latin America when it comes to new technologies has more to do with the old discussion about a development project, a project of technological planning and research and development, than with the warning that we’re going to lose our jobs. The risk is more one of deepening precarity than of outright unemployment. 

And this threat of robots coming for our jobs usually functions as a form of discipline. But I wanted to ask about the latest wave of generative AI applied to programming; it seems to me it has quite an impact on IT workers.

Regarding the specific labor market for programmers, there are a couple of particular issues. Argentina and Brazil developed a software export industry based on knowledge services, heavily concentrated in the intermediate links of the value chain: neither small shops doing simple, low-wage work, nor large, complex systems. The competitive advantage of that sector in Argentina has essentially to do with lower wages: we do the same of a software engineer in the United States, butat half the salary. Argentina also has a competitive edge because of good English proficiency and similar time zones, which favored outsourcing many of these services.

The problem is that, being in that intermediate link, there’s competition from below, from countries with even lower wages, such as India, Kenya, or Southeast Asia, where there’s a very low wage ceiling and no room to progress. That also prevents moving up toward more complex links in the chain. We’re caught in the middle of a sandwich where generative AI hits directly, precisely because this segment did neither the most complex nor the simplest work.

This is just starting, but it goes quite fast. What’s being observed is that the strongest impact is on entry-level programming positions, because AI can write code, but you always need a senior programmer to review and check it. There are several somewhat funny stories of companies that gave AI access to the base code of their platforms and ended up crashing the whole system. From that came the idea that you shouldn’t let AI control everything, because it makes mistakes just like anyone else, and that some human oversight should be kept.

So the main problem arises for all the young people who, over the last ten years in Argentina and Latin America, thought that learning to program guaranteed them a job. That’s exactly where the impact is strongest.

On top of that, there are two problems specific to Argentina. The first is that Globant, one of the major multi-Latin software companies, is going through a very complicated economic period. Globant is an Argentine software company with offices in many countries, which ten years ago went through a process of acquiring numerous other companies, worked as a contractor for Disney and other large multinationals, and became known for a very strict, aggressive labor regime with low wages, although it promised a certain career path given that it was a large company.

Over the last two or three years it has had very poor results: it’s listed on the New York Stock Exchange and its stock has plummeted. That has also spilled over into the Argentine system, since many programmers who had moved to these large companies ended up in migration-type positions, working on specific contracts for the United States or Europe, which makes them even more fragile in the face of automation or AI: if you work alone, within a team you don’t control, and based in another country, you’re the first exposed to automation.

So several dimensions come together around software work: some structural to Latin America, like low wages and a position in an intermediate link of the chain; some specific, like the large number of young people who went into programming, which is where AI is hitting hardest; and a particularly bad moment for major Argentine software companies, whether Globant or Mercado Libre.

In Argentina we have a serious problem of household debt and, above all, late loan payments, which has hit Mercado Libre hard, since Mercado Pago is one of the leading fintechs in Latin America. The whole sector is being hit both by technology and by specific economic issues. It’s a complicated moment, and we’ll have to see over the next six months to a year how much of this promise that AI will replace tasks is actually put into practice.

We’ll especially need to watch the segment of companies we call “software factories,” which produced simple, somewhat customized programs for medium and small businesses. I think automation there is going to be brutal, especially since they compete on cost: once the base code is created, it just gets replicated. That would be a serious problem for Argentina, because it was one of the few segments of the labor market that was working relatively well, generating employment despite the crisis, and offering relatively good wages compared to the average. It’s bad news.

Speaking of these Argentine companies like Globant or Mercado Libre: Cecilia’s shows that they end up working for U.S. tech companies, both because of the appropriation of intellectual property and because they pay to use their computing infrastructure, Do you agree with that?

That idea is part of the work we started discussing with Cecilia and another colleague, Sebastián Fernández Franco, on Mercado Libre. At first, it was an update of dependency theory, which posits two very sharply defined poles: multinationals and subordinate domestic entrepreneurs.

We did a series of interviews at Mercado Libre with programmers and staff from different areas, such as customer surveys and user experience, and a consistent answer came up: in technological terms, anyone who passes through there and ends up working can go work anywhere, because there’s no technological gap at all, they’re at the frontier.

So we asked ourselves why Mercado Libre doesn’t consider some business scheme to become independent, especially thinking about defending its own corporate interests. Mercado Libre uses Amazon Web Services to run its algorithms and manage its database. In Mexico and Brazil, both Amazon and Mercado Libre compete: who are you giving your data to? You might protect it, but you’re handing it to your competitor. Netflix, for example, states in its annual reports to the New York Stock Exchange that one of its main risks is that its systems run on Amazon Web Services, a company that has its own streaming service.

There’s a clear risk there. Mercado Libre’s response is that it’s not interested in getting into the data business or the server business, because it’s a business of a scale and expense that’s too large. From there comes the idea that there aren’t just two poles, but an intermediate layer that takes big tech’s technologies, adapts them, and thereby achieves a competitive advantage in a particular market.

It’s not just Mercado Libre in Latin America, which started with an eBay-like model for selling used goods, then created Mercado Pago with a security argument, releasing payment only once the buyer confirms receipt and that the product works, and later shifted toward an Amazon-like model selling new products from small producers. In India there’s Shopee, in China there are equivalent versions: in every region of the Global South, platforms emerge that, with local adaptations, achieve a competitive advantage, but at no point do they try to replace the big tech firms — instead they accept a subordinate position. Any loss of value they suffer from using that infrastructure gets passed downward.

That’s how Mercado Libre ends up with a serious problem around the volume of commissions it charges sellers, in logistics and advertising, replicating Amazon’s model. What we argue is that the main culprit in this dynamic is clearly Amazon, but that it would be naive to think there’s a path to development through these intermediate companies, because they aren’t independent agents with respect to that power, but rather the lever through which Amazon Web Services operates over Argentina.

In our fieldwork on technology adoption among small firms, we also found a local business model: small companies selling algorithms and cloud services with their own very small servers for equally small clients, because contracting AWS was too costly. Mercado Libre is something similar, on a larger scale: it adapted Amazon’s model to Latin America, has a first-mover advantage and controls the market, but is in an accepted position of subordination, with no clear way out of it.

What can be done to avoid the reproduction of these extractive models and reduce dependency form the global actors? I am thinking, for instance, about Pix, the Brazilian public payment platform.

When you reach the conclusion that these companies aren’t the path to development because they’re part of this global infrastructure, two clear positions tend to emerge from progressivism. One says that they’re simply part of the problem. And they are, but that doesn’t mean it makes no difference whether they exist or not. It wouldn’t be the same for Latin America if Mercado Libre existed or if everything were directly Amazon, because that implies there are certain capacities that, put at the service of a different political project, are already in place. You don’t have to go negotiate directly with Amazon in the United States.

What’s missing is that planning logic that defines what particular role we’re going to give these companies. They’re not going to save us, of course not, but having them based in Argentina, with some local connection, is an advantage. Several Latin American countries have public companies linked to this field. Argentina has ARSAT, which operates satellites, has a long history of producing ground data for agricultural applications, and has its own servers, in addition to having laid thousands of kilometers of fiber optic cable across the country’s interior.

We have those capacities. What’s missing is understanding the global picture, and there Cecilia’s book is very useful because there isn’t much material explaining how everything ends up filtering up to these big companies. What needs to be thought through is how to gradually cut those channels, without being able to demand that a single company face off against Amazon on its own and go under. A radical proposal needs to be built, but step by step. Nor can we demand that the public stop using international platforms, because they’re part of daily life. We need to find ways to progressively cut that dependence, developing alternatives. 

In that sense, the Pix case in Brazil is exactly what needs to be pursued. There’s a clear point of potential outreach: few people are deeply familiar with Pix beyond having used it on vacation and noticing it works well, but the story behind it, a public development that denied space to international companies, is genuinely interesting. In Argentina we have Cuenta DNI, run by Banco Provincia. I remember that a couple of years ago, in a course we designed with Cecilia and that she still teaches at San Martín, Digital Capitalism and Underdevelopment, one of the students worked at Cuenta DNI, and we often ended up discussing what they did with the data. The answer was that they had huge amounts of data on businesses and people, but they just sat there.

It’s not enough to say data is important: it has to actually be put to use, and you need to understand for what. Starting from public companies like these, you can begin building public infrastructure, cables, data centers, and open up a space for accumulation that doesn’t depend on the big tech firms.

The big problem, visible in the contradictions of digital development policy in Brazil or Chile, is that national states are crossed by competing interests, and these companies, not just Amazon but also their local partners, exert a lot of lobbying pressure. Progressivism is missing the ability to “sell” a general project that mobilizes people. If you ask the general public, even progressive legislators, whether the digital economy matters, many just think of their phone and not much else. In reality, behind it there’s an entire economic model and a whole possible development scheme, and that’s still fairly far from common awareness. I’ve heard well-intentioned people say that if the government wanted to, it should “create an Argentine Pix”, when in fact the Brazilian Pix itself could simply be used, as is already happening in Colombia. 

Pix is the first piece of a much bigger puzzle: where that data is stored, how it travels from phones or banks toward public infrastructure, toward national companies’ satellites. From there you move toward the idea of the digital stack, and I think different Latin American countries already have capacities for this, with public companies and large state banks that have invested heavily in various areas. What needs to start happening is, for instance, thinking about how Latin America could combine the Brazilian Pix with Argentine satellites. That way the goal stops being so unreachable, so utopian, and becomes something you can progressively work toward.

I’m very interested in the question of a Latin American path. It seems to me there’s more room for experimentation than in Europe, where we talk about regulating but keep using only USA software. When I talked to people from different Latin American countries, they often tell me more collaboration is needed, but that the political conditions for it don’t exist. What can be done in the coming years to move forward?

The first task is getting the far right out of power. In Argentina we’re at a very telling moment: Javier Milei’s discourse, and that of his delegate for artificial intelligence, was simply to install Amazon data centers in Patagonia because it’s cold there. That’s the end of the discussion. Before anything else, certain political consensus needs to be built, not only within progressivism but more broadly.

At least think of it instrumentally: there are ways to collect more taxes if companies are local, to recover sovereignty, to recover privacy for users regarding what data is collected, how it’s used, and where it ends up. It’s a less revolutionary, less controversial agenda, similar to the path that, with its own problems, Europe followed with data protection and the GDPR.

You raised an interesting point: that there seems to be more room to do these things in Latin America than in Europe. That’s where it helps that the region has intermediate actors that Europe doesn’t have. In Europe, the fight is directly against Amazon, with no local player you can tell, through proper industrial policy, to grow at that competitor’s expense. Here we have that space. 

We also need to develop the debate over where to locate data centers and what role ARSAT can play in connectivity across such a vast territory as Argentina’s, something applicable to the rest of Latin America: Amazon isn’t going to lay a cable to a city of a hundred thousand people in the middle of nowhere. There are many points of contact between today’s very modern, timely disputes over the digital economy and debates that are already fairly well established in the region about certain things the state has to do.

The problem is that doing that isn’t enough: it needs to scale up. Along with some colleagues, we’re trying to put together a series of talks to spread these issues. I think there needs to be a first stage where this doesn’t stay confined to specialist groups with political activism, but actually starts entering the public agenda. Argentina is in particularly bad economic shape for people to sit down and discuss this in depth, but we do have regional organizations, like Mercosur, that could serve as a space for it. The problem is that over the last twelve years, when Argentina had a relatively progressive government, Brazil didn’t, which complicates coordination. Progressivism in Mexico is relatively recent, and Mexico is too closely tied to the United States, which makes it hard to bring into this discussion, though if it were more aligned it would be a very significant player. Colombia, meanwhile, is joining in.

I don’t see it as such a hopeless space, but there’s a lot of work to do to get this onto the public agenda. If you look at the Argentine Congress, the legislative bills on artificial intelligence, even if they won’t pass, show the state of the discussion: some are very much on the right, along the lines of “don’t regulate anything,” close to Amazon’s or Peter Thiel’s discourse, while others at least attempt to advance privacy protections. We need to identify which of these issues best opens the door to public opinion.

When Australia regulated social media for minors, many said it was impossible, that it would never happen. Now all of Europe is taking steps in that direction and it’s gradually being accepted. At least let’s start there, and from there move toward general data privacy. There’s a lot of work to do before, or as a path toward, building that regional alliance capable of pushing change, because the interests on the other side are very strong and there’s a lot of money involved.

One area where we’re going to face immediate problems in the political discussion is data centers. There’s an established narrative that presents them as the “railroad of the twenty-first century,” according to which whoever doesn’t have data centers is left out of progress. But having data centers doesn’t mean being part of progress, because progress lies with whoever controls the algorithms, and that’s generally done remotely. People imagine a data center as an office full of people working, when in reality it’s a building that could have its lights off, with nothing but processors running. That’s where I see an urgent need for the region: to spread awareness, to explain these mechanisms, because you don’t need to be a programmer to understand the economic scheme behind them.

Moreover, within the context of a very fierce geopolitical struggle between the United States and China. Even among people who are somewhat aware of these debates, there’s sometimes a naive view of China’s role, as if the problem were only U.S. big tech and one could do business with Chinese big tech instead, following a non-aligned country logic. That shows a failure to grasp that the problem is structurally the same. China managed to develop its own tech ecosystem domestically, and it’s only now starting to expand abroad, but that’s not a different way out for us: we need to look for a genuinely different alternative.

If at some point Europe manages to steer its own ideas, that could serve as a reference, even if we say it somewhat mockingly, the “Brussels moment,” when Europe, after years of discussion, sits down and decides to move forward with regulation. For countries further behind on regulation, even if it doesn’t solve everything, it helps show that if it was done there and nothing terrible happened, social media didn’t disappear and people didn’t lose the ability to order food delivery.

For instance, we haven’t mentioned it yet, but there’s the case of Spain’s “rider law” for platform workers. In 2021 Spain passed a law recognizing platform workers as employees. Here, Milei’s latest labor reform, passed two months ago and currently suspended by the courts, goes in the opposite direction: it defines them as independent contractors, in a commercial relationship. When you point out that they’re actually workers, the usual response is that this would make deliveries disappear. Just look at Spain to see that isn’t the case.

Some basic awareness that these discussions are already happening elsewhere helps people understand that it’s not some outlandish idea to advocate for protecting people’s data, especially minors’, or to raise the tax issue: how these companies book their profits elsewhere to avoid paying taxes, when their entire wealth is based on data and yet they pay almost nothing. There are many possible entry points, and a discourse needs to be built that brings them all together, so that each country can then decide which of these issues resonates most with its public.

In Brazil, what happened with Twitter, with Elon Musk, and the clash with Trump, brought the issue to the forefront. Earlier, the wiretapping of Dilma Rousseff’s phone had already made data privacy a priority. We need to see what that triggering mechanism could be here. If we don’t manage to get this into public conversation, that’s going to remain the main problem, because after that, the public policy discussion, how far we can actually advance concrete initiatives, becomes easier. In Argentina today there’s nothing: no AI plan, no public infrastructure planning, no process of reflection on this. There’s even a push to privatize public companies. We’re so far behind that any progress would be radically different from what we have now. These two years are going to be mostly about resistance.

Speaking of institutions and wages: I’m a fan of a French philosopher, Bernard Stiegler, a Marxist who died a few years ago and who began studying platforms through the philosophy of technology, and he concludes that the wage as an institution no longer works, and he talked about finding other forms beyond wages, such as universal basic income. What do you think of that?

I can’t speak to his specific proposal, but it seems to me we’re at a moment where, after two centuries of capitalism, we had managed to move from piecework forms of payment toward a wage determined by the hour, so that the economic risks of the firm stayed with the firm and not with the worker. Today we’re in a moment of reflux, where firms are once again imposing piecework forms. In the case of platforms this is very clear: waiting time isn’t paid, and neither is connection time.

I think the first thing is to fight that battle on those very terms. I don’t think any of the new technologies necessarily comes bundled with piecework pay or the absence of a wage. I think it’s simply an abuse by firms, which take advantage of a labor market that doesn’t work well and an economy in crisis, and push forward given the weakness of labor unions. I’d still put at the center the need for a wage that pays for the worker’s available time, and for all the risks, health, accidents, economic, to fall back on the employer. 

Now, looking ahead, if someone argues that the employment relationship itself is at risk because a large share of the human workforce won’t have jobs and another form of social reproduction needs to be found, that’s a different debate, distinct from the one raised today by the rise of platforms. I’d frame it more as a discussion about how to regulate capitalism going forward. There I have my doubts, in line with the research we do on the replacement of labor in Latin America. It doesn’t seem that capitalism is moving so much toward building an industrial reserve army or a fully redundant population, but rather that it operates on both sides of the counter: it applies automation where it’s convenient for productivity, efficiency, or control, and hires under precarious conditions where that’s more profitable.

So the dispute is going to keep existing. We’re not heading toward a world without jobs, but toward a world with jobs under terrible conditions. So rather than just thinking about how to give people income under those conditions, which I don’t deny is necessary, I think the fight has to be over which technology is applied, how it’s applied, and what role we’re going to give companies in deciding where they place people and where they don’t. Recovering that control. There the role of the union and the shop steward is central, because you need to be present at the workplace itself. The state can do a lot, but without control over production at the point of production, everything becomes much harder.

We’re back to issues that were already being discussed in the 1970s. If schemes of German-style co-determination, or Nordic-style collective bargaining with near-universal coverage, can be pushed forward, there’s much more to gain over a twenty year transition, by being able to say that a given production unit doesn’t need automation, that there’s no real efficiency advantage, and that if it’s automated it’s only to control workers, so it shouldn’t be done.

A serious problem we’re going to face soon is the one we mentioned about programmers and entry-level jobs. Technology is wiping out those positions, and in ten or twenty years, once those who learned with the previous technology and now oversee AI retire, who’s going to know how to use it? If you eliminate all the entry-level jobs today, in twenty years not even the company itself will have real control over production.

We’re at a moment of a lot of experimentation, where firms, in the middle of a global crisis with no demand growth, push forward as much as they can. Then we see the results: it happened with the thousands of layoffs tied to AI over the last six months, and then it turned out that many of those workers were rehired because, without them, the company couldn’t sustain its business development. I wouldn’t trust very short-term trends as projections of what’s going to happen. 

I think that in this moment, clearly one of ebbing labor struggle, what needs to be done is strengthen organizations. My optimism rests on concrete cases, for example in the United States, where there’s a revitalization of union struggle in a country with anti-labor legislation dating back to Reagan, with “right to work” laws and similar measures. There you see a model centered on the shop steward, unit by unit, like the small Starbucks locations. I think that’s where we need to start.

The neoliberal globalization scheme, in which geopolitical risk and the fragility of supply chains didn’t matter and production was sent wherever was cheapest, has broken down. So the threat that used to be relocation, companies are now trying to turn into the threat of automation, as a means of control. But there’s also an opportunity there, because it’s no longer a dispute with a Vietnamese worker thousands of kilometers away whom you don’t know, but a direct negotiation with the local company, where the option of simply “leaving” no longer works the same way.

We need to return to that logic. The state can do a lot, I’m not sure through basic income, but by finding ways to sustain a welfare state that gives workers the security to take up that fight, funded by taxing big tech and machines. Even though the technology is new, I don’t think we need to invent great new things: we need to revalue political and power-building strategies that already worked. The geopolitical context of the coming years resembles earlier eras more than it does the 1990s. That extreme free-market neoliberal globalization scheme doesn’t seem to be working anymore, not for Europe, not for the United States, and that opens up space to redistribute a bit more of the gains companies made, through higher taxes and higher wages. It won’t be easy, but I think that’s the direction. 

The end of the end of history.  Now there’s a lot of talk about a new multipolar order, driven by China’s development, a mixed system, capitalist but with a lot of state control, which seems to work better than other models and could become a reference point for countries in the Global South.

Yesm and you can see that in the narratives. Over the last four or five years, the International Monetary Fund, which used to be completely opposed to industrial policy and state control over production, has published several papers explaining the success of Southeast Asia and China through the active role of the state. And then there’s Trump imposing tariffs. If a company’s entire business model depended on the existence of free markets, and trade wars keep breaking out, the space to discuss which technologies and which sectors to protect opens up again. Rather than thinking about a “new capitalism” centered on basic income, I think there’s still quite a bit to recover by recognizing that this remains a conflict between capital and labor. It’s an enormous undertaking, but I think it resembles that more than anything else. 

The problem with the capital-labor conflict is that, with the digital platform, the figure of the employer shifts and hides, and that makes it hard to clearly identify the adversary. It seems that labor fight against labor.

There we need to update our concepts and look for new ways of analyzing this, but if you strip away the technological veil from the digital infrastructure, it’s not actually that hard to understand. When the debate comes up over whether delivery riders are workers or not, companies often argue that the worker brings their own means of production, the bike or the car. But the digital infrastructure that makes that work possible is provided by the company. What’s the difference with going to work in a factory? None. On that point, things are fairly clear.

The same happens in marketplaces, in the dispute between small merchants who get charged very high commissions by Mercado Libre or Amazon. What’s the difference with a supermarket? Large chains, like Walmart, also charge very high fees to place products on the main shelf: it’s the same logic of one company over another. As Cecilia says, a good part of that dispute could be addressed with antitrust arguments. Companies have been smart about keeping prices low to avoid being targeted from that angle, but essentially that’s what it comes down to.

But Antitrust policy in the United States has been corrupted by that consumer-welfare logic. When I was in New York, I noticed the level of debate is overly technical and generally and always about the same topics, because if the company benefits the consumer, everything seems fine, even though prices no longer say much, since the platform loses money in one area to make it up in another. So, I’m more interested in the relationship between platforms and infrastructure, because it forces us to think of them as public utilities.

When people say Amazon is the biggest company in the world, they think of the marketplace, not Amazon Web Services. But Amazon is investing in cables, data centers, and energy, building the infrastructure that states used to build, in order to become independent of them. When you frame it that way, and add that it charges very high commissions or is squeezing out other players, it becomes clear that it’s a monopoly.

Does it make sense to open a competitor alongside it? In Argentina we had the experience of Correo Compras, a public marketplace that never really worked, because neither companies nor consumers were required to use it: the necessary network economy just wasn’t there. Setting up a second Amazon or a second Mercado Libre doesn’t work like that, on its own. To get to nationalization or regulation, you first have to make clear that this is infrastructure involving billions of dollars, and that the state needs to build its own cables and its own data centers, and offer them to the public.

The problem is financing, but that’s where the sovereignty argument comes in: if a country enters into conflict with any power, it could lose internet service. In Russia’s invasion of Ukraine, or in tensions with Iran, it became clear that if you clash with the United States, you could have your GPS shut off or lose access to the SWIFT system. Everything points toward these issues, which used to be hidden, becoming visible. Internet cables are a public service, and they can’t depend on a handful of private companies: whether you’re a liberal or not, that’s a risk. Antel, in Uruguay, has a stake in submarine cables; at the very least we could move toward public submarine cables connecting Mercosur. That’s something that can be done.

But that connects to the problem is investment, because Big Tech has accumulated so much capital that they can lose money for ten years to win a market, while states are always in crisis.

That’s why one of the most important issues is that the digital economy seems like something so complex and novel that it requires inventing new tools, and that if you’re not a software engineer you can’t understand it. But once you break it down, the old discussions come back. Putting dependency theory back at the center makes it easier to connect these issues. In the past the problem was the U.S. banana company that set up its enclave, where the country’s rules didn’t apply, produced, took everything, and left very little behind. What’s the difference with an Amazon data center? None, really: it uses the country’s electricity and water, but everything else, the data, stays outside, and it’s much harder to recover afterward.

We need to find ways to connect today’s problem with elements closer to the historical public discourse we’ve had in Latin America. That’s why I have reservations about terms like “technofeudalism,” which suggest a radically new moment. I think the conceptual tools we already have still work in similar ways, and that the analogies of monopoly, abuse, and dependency remain more accurate. What needs to be built is an answer to the question of what the utopia of the digital world looks like for progressivism. Once that’s clearer, it will be easier to connect public policy debates with union struggle.

The Sounds of Obsession: Subtle Menace in the Music of Yash Chopra’s “Darr”

DOI: https://doi.org/10.59350/d7npv-9gn02

The classic Hindi film, Darr (1993), directed by Yash Chopra, is the story of the stalker Rahul, played by Shah Rukh Khan, wreaking havoc on the lives of the innocent lovers, Kiran and Sunil (played by Juhi Chawla and Sunny Deol respectively). As Rahul stalks Kiran, declaring his love for her, the audience is shown a window into the derangement of his psyche: the loss of his mother at a young age, unsent love letters during college, a shrine filled with pictures of Kiran, carving her name into his chest with a knife. His obsessive love turns to violence toward Sunil, and the lovers try to evade his sinister advances as Rahul chases them across the planet.

Originally advertised as “a violent love story” on its movie poster, the film largely follows the conventions of 1990s Bollywood, but Chopra and screenwriter, Honey Irani, create distortions of genre expectation through Shah Rukh Khan’s character. One of said genre conventions is the inclusion of original song sequences, composed by Pt. Shivkumar Sharma and Pt. Hariprasad Chaurasia (as the duo “Shiv-Hari”), with lyrics by Anand Bakshi. Despite their non-threatening surface exteriors, various musical devices combine with the filmmaking to give the songs a layer of menace that elevate them above the standard fare of contemporaneous Hindi film music. This creates a multi-tiered listening dynamic wherein the pleasant becomes grotesque in context.

The songs of Darr have become classics in the world of ’90s Bollywood film songs. But, behind the catchiness and fulfillment of industry expectation lies a multi-layered psycho-drama created by the songs’ interactions with Darr’s story and characters. This interaction exists not solely in lyrical concerns but also in the subtle musical gestures crafted by the minds of Shiv-Hari. At a surface level, listening to the film’s soundtrack is enjoyable; there are catchy melodies, lush orchestrations, and timeless performances by now-legendary singers. However, the deeper one listens with an analytical focus, the more disturbing, intriguing, and artistically edifying the songs become.

While the film begins with an idyllic, romantic tone, the music soon introduces an element of the sinister. After a brief introductory scene of Kiran, who is seen alone reading a letter from her fiance Sunil (although Yash Chopra already hints at Rahul’s presence in this scene), we find her with her friends at their school. We hear “Kiran, I love you” announced through the school’s public address. The music of “Jaadu Teri Nazar” (roughly “Your look is magic”) then begins diegetically, sung by Shah Rukh Khan’s Rahul (unbeknownst to Kiran).

By today’s standards, the early lyrics contain a definite romantic red flag in the lines “Tu haan kar, ya naa kar / Tu hai meri Kiran” (“whether you say yes or no, you are mine Kiran”), but in the world of early 1990’s Bollywood, this type of courtship is nothing out of the ordinary. However, Shiv-Hari’s orchestration implies something more sinister, ending the song with a repetition of the line “tu hai meri Kiran” with aggressive orchestral chords.

The actual nature of the song and truly the thesis statement of the entire film is then revealed. Kiran is seen on a train which enters a tunnel and becomes pitch black. We hear a voiceover say the words “Pyaar jab had se guzar jaae to pooja ban jaata hai, aur pooja bhatak jaae to junoon” (“when love crosses a boundary it becomes worship, and when worship goes astray it becomes obsession”). Upon emerging from the tunnel, “Jaadu Teri Nazar” begins again non-diegetically featuring more obviously sinister lyrics, such as “bekhabar meri taqdeer hai tu / tu kisi aur ki ho na jaana / kuch bhi kar jaaonga main deewaana” (“unaware, you are my destiny / don’t you become someone else’s / I am crazy and will do anything”). With this, “Jaadu Teri Nazar” becomes a cipher for the film’s stated theme of love turning into obsession.

Another thematically important part of Darr‘s soundtrack that directly connects to “Jaadu Teri Nazar” is an instrumental track labeled “Obsession (Dance Music)” on the film’s commercial soundtrack release. After proceeding to terrorize the lives of Kiran and Sunil in various episodic scenes, we see Rahul in his apartment, playing the melody of “Jaadu Teri Nazar” on his harmonica. Chopra then cuts to a fantasy sequence scored by “Obsession (Dance Music).” We see Kiran dancing in a shapeless void, assumedly in Rahul’s imagination.

Shiv-Hari’s music starts out calmly, almost entirely with percussion instruments. The fervor of the percussion increases, as does the intensity of Kiran’s dance and the rate of cuts in the visuals. Frenzied imagery and intense music combine to reflect Rahul’s increasingly spiraling self-control. Kiran’s titillating movements to the music in Rahul’s mind further showcase his derangement. The inclusion of the melodic material of “Jaadu Teri Nazar” in “Obsession (Dance Music)” helps to create the idea in the listener’s mind that this melody represents Rahul’s obsession over Kiran. After a brief guitar interlude, the music grows to a climax characterized by wordless choir singing and crashing percussion. At its highest dramatic point, the men in the choir sing the same melody as the line “tu hai meri Kiran” from “Jaadu Teri Nazar” three times before the music ends with Kiran standing in the rain with open arms.

Screencap from “Obsession (Dance Music)” in Darr (1993), directed by Yash Chopra

Yash Chopra zooms in towards Kiran as the sound of Rahul’s harmonica playing “Jaadu Teri Nazar” intercedes into the audio of the film, signaling the end of Rahul’s fantasy. Screenwriter Honey Irani’s choice of the harmonica for Rahul’s instrument further clarifies his character. Its sound is tied to classic cinematic images of loneliness. The 1975 Hindi film, Sholay, sees Amitabh Bachchan’s character Jai playing the harmonica while observing Radha (Jaya Bachchan). In Sholay, Radha is a widow—for her to remarry would be a social taboo. Jai’s circumstances have forced him into a life of crime for survival—his playing the harmonica while simultaneously falling into a love that is doomed from the start is paralleled in a contorted way in Darr‘s Rahul. Sholay is one of, if not the most, famous film in the history of Indian cinema—such a comparison would likely occur to contemporary viewers of Darr. This association is triggered sonically through the harmonica’s strained timbre. The instrument even at a physical level could represent Rahul’s frame of mind: it is a rare instrument where one has to both exhale and inhale in order to produce sound. The song “Tu Mere Saamne” echoes this action as it features Rahul heavily breathing in and out at a menacing cadence.

“Tu Mere Saamne,” the final song in the film, sees a dangerous evolution in Rahul’s obsession. It occurs after Sunil and Kiran steal away to Switzerland for their honeymoon, where Rahul finds them and befriends them, as they have never seen his face. His now face-to-face intervention in their lives triggers another fantasy of Kiran in his mind. Despite being a love song on its surface, Shiv-Hari begin the song with forceful orchestral bombast and men’s chorus (which precede the aforementioned heavy breathing), akin to the ending of “Jaadu Teri Nazar” and parts of “Obsession (Dance Music).” Anand Bakshi’s lyrics draw parallels between Rahul and Sunil. “Tu Mere Saamne” (“You are in front of me”) is eerily close to the first words heard in the entire film: Sunil’s words in Kiran’s mind as she reads the love letter he had sent to her (“Jaan, main tumse door hoon. Lekin, tum mere saamne ho.” This translates to “Love, I am far from you. But you are in front of me.”). Sunil’s love is true, but Rahul’s love has crossed the threshold.     

Rahul’s early fantasy of Kiran picturized in “Obsession (Dance Music)” did not include Rahul in her presence. This new fantasy changes that dynamic. The line “Tujhko dekhoon ke pyaar karoon” (“Should I gaze at you or make love to you?”) is intermingled with lyrics indicating disbelief yet confirmation that Kiran is now his possession. “Jaadu Teri Nazar” stated “Tu hai meri, Kiran”–simply “You are mine.” The iteration of this sentiment in “Tu Mere Saamne” reaches a point of completion with the line “Tu meri ho gayi”–literally, “You have become mine.” The mukhda (a term that translates literally to “face” that refers to the initial memorable portion of a song) finishes with the line “Kaise main aitbaar karoon” (“How can I trust [this reality]?”). Udit Narayan’s vocals, as well as the contour of the melody line, are fairly simple, unadorned, reflecting the single-minded arrested development at play in Rahul’s psyche (the same could be said for Narayan’s vocals in “Jaadu Teri Nazar”).

Lata Mangeshkar’s vocals in the next stanza overlap with the ending of Udit Narayan’s stanza with considerable echo effects added. This adds to the dream-like, imagined quality of the song—Rahul’s brain at the height of delusion. Mangeshkar’s vocals are shallow with an almost child-like lilt, fitting the simplistic melody. Shiv-Hari composed a tune paralleling the simplistic logic at play with Rahul’s derangement. The Kiran that sings in the song is a cheap imitation—a tulpa in Rahul’s mind. His imagined Kiran sings “Toot gayi tootke main choor ho gayi / Teri zid se majboor ho gayi / Tera jaadu chal gaya…” (“I am broken, I am shattered / Your persistence has compelled me / Your magic has worked”)—a twisted and delusional perspective on romance befitting a murderous stalker.

Screencap from ,”Tu Mere Saamne” Darr (1993), directed by Yash Chopra

The danceable, but somewhat menacing instrumental interludes of the song also connect with the earlier sequence set to “Obsession (Dance Music).” The use of a prominent clarinet solo, an uncommon occurrence in Bollywood film songs, adds to the phantasmagorical quality of the song by introducing a foreign timbre. The visual is that of a strange liminal space, a place with no coherent scenery but with raining rose petals.  Rahul plays piano as Kiran writhes suggestively. This particular visual shows that Rahul has now placed himself next to her in his own fantasy as opposed to just seeing her. He is no longer simply declaring that she is his—she has become his.  

(The following two paragraphs contains significant spoilers)

Throughout the finale of the film, where Rahul is found out and killed by Sunil, Shiv-Hari’s background score is dominated by a particular theme that had been first introduced earlier, always connected to Rahul’s fixation with Kiran. It is characterized by two notes constituting a rising major sixth interval which morphs into a rising perfect fifth interval before deteriorating into a winding chromatic melody that eventually loses intelligibility. The first mentioned interval, the major sixth, traditionally has a romantic quality, especially at its iterated tempo in Darr–a soaring, almost Wagnerian yearning. The second interval, the perfect fifth, is acoustically at rest. But, with the pitch level at which it is presented in relation to the earlier major sixth, it is contorted–it implies a different musical key, an incompatibility. This particular interval happens to be the same as the beginning of “Jaadu Teri Nazar.” This theme’s association with Rahul indicates its mirroring of his emotional incapacity. What he views as love, in this case represented by the major sixth, becomes contorted into his obsession with Kiran, the perfect fifth that connects to “Jaadu Teri Nazar.”

The melody that succeeds these two intervals is simultaneously chaotic and tragic—chaotic in light of his murderous actions, tragic as Rahul’s final end symbolizes a human life wasted on mental derangement. At the end of the film, Shiv-Hari use the theme to paint this tragedy, iterating it twice, first with a subdued muted  trumpet, then with a wordless female chorus, as Rahul utters his last words. Yash Chopra reiterates the overarching theme of the entire film one more time by playing an a cappella version of “Jaadu Teri Nazar” over one final shot of Rahul’s lifeless body.

Both the songs and background score of Darr showcase an approach to soundtracking wherein the sonic content not only operates in close coordination with the mood and atmosphere of the film, but with the characters, storyline, themes, and intrinsic reference points orchestrated by Yash Chopra and his crew. Shiv-Hari’s music is not simply color and vibe, but multi-faceted content that rewards close listening just as repeat viewings of the film can illuminate the finer nuances of the plot. It is music that contains a sub-surface circuitry that, even when the listener is unaware of its complexities, creates a richer artistic statement than music that has a similar surface (a similar color and vibe) without the same profound approach to its unseen infrastructure. Shiv-Hari’s soundtrack’s rich subterrain integrating with and projecting onto the visual and narrative elements of Darr creates a rare cinematic totality.       

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Featured Image: Still from “Jaadu Teri Nazar” by SO!

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Zane Merritt is a composer, guitarist, teacher, and scholar. He holds a PhD in music composition from the University at Buffalo (SUNY). His recent activities include designing and teaching a course on Bollywood and its music, collaborations with Nepali poets, setting their recitations to original music, and releasing a classical guitar album that places arrangements of Indian film music alongside the western classical canon.

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