Digital Tribulations 24: Perspectives of Digital Liberation in Latin America Between Dependency, Labor, and Automation – Interview with Juan Martin Graña

The introduction of Digital Tribulations, a series of intellectual interviews on the developments of digital sovereignty in Latin America, can be read here and the entire series can be found here.

I met Juan Martín Graña, a CONICET researcher, one morning in early April in Buenos Aires, at a café called Aromi, near Parque Centenario, in the Caballito neighborhood. We were put in touch by Cecilia Rikap, who recently published the book Teoría de la Dependencia Digital, so far only available in Spanish, and whose book presentation, held at the public School of Economics of the UBA, I attended in a packed room. 

Juan and I sat down at a large round table, ordered the inevitable coffee and medialunas, and began talking for about an hour about the political economy of digital dependency in Latin America. Over the course of the long conversation, Juan Martín laid out a framework that challenges mainstream narratives about automation and job loss in the Global South, arguing that the real risk is not mass unemployment but a deepening technological gap that translates into low wages and precarious work. 

We discussed how this plays out concretely in the region’s software industry, squeezed between cheaper labor markets and the rise of generative AI, and in local platforms like Mercado Libre, which, despite reaching the technological frontier, remain subordinate to big tech infrastructure such as Amazon Web Services. From there the conversation moved to the political possibilities opening up in the region, from Brazil’s Pix as a model of public digital infrastructure to Argentina’s ARSAT, and to the broader question of how to build a genuinely Latin American path toward digital sovereignty. 

Close to the entrance of the bar I found a sentence written on the wall reading Milei nos odia – Milei hates us.

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Fig 1. At the University of Buenos Aires

What do you do, and what is the subject of your research?

I’m an economist by training. I did my PhD in Economics here in Argentina, at the University of Buenos Aires, and I’m a researcher at CONICET. My workplace is the University of San Martín, at the Center for Studies on Economic Development. Since my doctoral work, I’ve almost always worked on issues related to economic development, with a strong emphasis on the labor market. The general idea behind my research is to connect the production and accumulation conditions of firms and countries with how that translates into employment conditions, wages, and job quality.

In recent years, together with Cecilia Rikap and other colleagues, I started studying how new technologies are affecting that relationship, along two main lines. One has to do with the digital economy in a stricter sense, with the relationship between firms and how that translates into technological dependence. We did a couple of studies on Siemens and its technological dependence on big tech worldwide, and one on Mercado Libre, trying to discuss to what extent the digital economy is a window to development for Latin America or not.

The other line has more to do with the labor market: how these new technologies applied to production are changing the profile and quality of employment, especially in Latin America, because we’re at a fairly weak stage in terms of our own theoretical production. There’s a lot of simply replicating theoretical frameworks that come from the Global North, as if labor markets worked the same way everywhere.

This idea of technological unemployment, the fear that machines will replace workers, doesn’t hold in the same way in Latin America, because the conditions under which labor is hired and the conditions under which firms produce are radically different. From there comes the need to, together with Latin American theory, produce a more applied translation to the territory, one that’s useful for thinking about public policy and union strategies in the face of technological change, which is a reality.

What are the specific conditions in Latin America compared to other places?

The mainstream framework for thinking about the impact of technological change on employment consists of studies claiming that a certain percentage of jobs have automatable tasks and that those jobs will eventually disappear. It’s the idea of polarization, of the hollowing out of the middle class.

That this is based on the idea that, in the economic system of developed countries, when a technology becomes available it’s automatically adopted by firms and automatically reflected in the market. When you look at Latin America, there are two major factors that differentiate how labor markets work in the Global South, and in Latin America in particular, compared to the developed world.

The first has to do with the cost and skill level of the labor force, which in many cases is so low that the cost of machinery or more sophisticated technology ends up being comparatively so high that there’s no economic incentive to adopt it. The idea of replacement that Marx discussed doesn’t operate directly in Argentina or Latin America, because it can genuinely be much cheaper to produce with older, labor-intensive technology than to make the technological leap. That’s why we need to look at the whole world of the informal sector, something we’ve been discussing in Latin America for a very long time.

The second point, which generally goes unnoticed, is that when you do fieldwork with companies, you find that a large share of them don’t even have the capacity to adopt these technologies. Small firms often look for contractors to develop robotics applications or similar tools, and the same technology consultants ask them whether they have any qualified technician who could fix the machines if they break down, or whether they even know what these technologies are for. The answer is usually no. So, beyond what studies say about the risk new technologies pose to the labor market, those effects need to be moderated by how the labor market actually functions and by firms’ real capacity to adopt technology.

Last year we did a study where we built an index to weigh that potential risk, mediated by wage differences between Latin America and the USA or Europe, and by existing technological capabilities. That index showed that, in many of these sectors, even the most advanced countries in the region have wages that are half those of the USA, and that internet connectivity is also about half. Several factors point to the fact that the problem for the labor market in Latin America today isn’t technological unemployment, because not every firm is going to buy the technology and replace workers, but rather a deepening technological gap. USA, Europe, and China are applying these technologies, and the region is going to fall further behind. That’s going to affect the labor market with more poverty and more precarious work, because firms, in order to stay competitive, will have to cut wages.

I think the logic that fits Latin America when it comes to new technologies has more to do with the old discussion about a development project, a project of technological planning and research and development, than with the warning that we’re going to lose our jobs. The risk is more one of deepening precarity than of outright unemployment. 

And this threat of robots coming for our jobs usually functions as a form of discipline. But I wanted to ask about the latest wave of generative AI applied to programming; it seems to me it has quite an impact on IT workers.

Regarding the specific labor market for programmers, there are a couple of particular issues. Argentina and Brazil developed a software export industry based on knowledge services, heavily concentrated in the intermediate links of the value chain: neither small shops doing simple, low-wage work, nor large, complex systems. The competitive advantage of that sector in Argentina has essentially to do with lower wages: we do the same of a software engineer in the United States, butat half the salary. Argentina also has a competitive edge because of good English proficiency and similar time zones, which favored outsourcing many of these services.

The problem is that, being in that intermediate link, there’s competition from below, from countries with even lower wages, such as India, Kenya, or Southeast Asia, where there’s a very low wage ceiling and no room to progress. That also prevents moving up toward more complex links in the chain. We’re caught in the middle of a sandwich where generative AI hits directly, precisely because this segment did neither the most complex nor the simplest work.

This is just starting, but it goes quite fast. What’s being observed is that the strongest impact is on entry-level programming positions, because AI can write code, but you always need a senior programmer to review and check it. There are several somewhat funny stories of companies that gave AI access to the base code of their platforms and ended up crashing the whole system. From that came the idea that you shouldn’t let AI control everything, because it makes mistakes just like anyone else, and that some human oversight should be kept.

So the main problem arises for all the young people who, over the last ten years in Argentina and Latin America, thought that learning to program guaranteed them a job. That’s exactly where the impact is strongest.

On top of that, there are two problems specific to Argentina. The first is that Globant, one of the major multi-Latin software companies, is going through a very complicated economic period. Globant is an Argentine software company with offices in many countries, which ten years ago went through a process of acquiring numerous other companies, worked as a contractor for Disney and other large multinationals, and became known for a very strict, aggressive labor regime with low wages, although it promised a certain career path given that it was a large company.

Over the last two or three years it has had very poor results: it’s listed on the New York Stock Exchange and its stock has plummeted. That has also spilled over into the Argentine system, since many programmers who had moved to these large companies ended up in migration-type positions, working on specific contracts for the United States or Europe, which makes them even more fragile in the face of automation or AI: if you work alone, within a team you don’t control, and based in another country, you’re the first exposed to automation.

So several dimensions come together around software work: some structural to Latin America, like low wages and a position in an intermediate link of the chain; some specific, like the large number of young people who went into programming, which is where AI is hitting hardest; and a particularly bad moment for major Argentine software companies, whether Globant or Mercado Libre.

In Argentina we have a serious problem of household debt and, above all, late loan payments, which has hit Mercado Libre hard, since Mercado Pago is one of the leading fintechs in Latin America. The whole sector is being hit both by technology and by specific economic issues. It’s a complicated moment, and we’ll have to see over the next six months to a year how much of this promise that AI will replace tasks is actually put into practice.

We’ll especially need to watch the segment of companies we call “software factories,” which produced simple, somewhat customized programs for medium and small businesses. I think automation there is going to be brutal, especially since they compete on cost: once the base code is created, it just gets replicated. That would be a serious problem for Argentina, because it was one of the few segments of the labor market that was working relatively well, generating employment despite the crisis, and offering relatively good wages compared to the average. It’s bad news.

Speaking of these Argentine companies like Globant or Mercado Libre: Cecilia’s shows that they end up working for U.S. tech companies, both because of the appropriation of intellectual property and because they pay to use their computing infrastructure, Do you agree with that?

That idea is part of the work we started discussing with Cecilia and another colleague, Sebastián Fernández Franco, on Mercado Libre. At first, it was an update of dependency theory, which posits two very sharply defined poles: multinationals and subordinate domestic entrepreneurs.

We did a series of interviews at Mercado Libre with programmers and staff from different areas, such as customer surveys and user experience, and a consistent answer came up: in technological terms, anyone who passes through there and ends up working can go work anywhere, because there’s no technological gap at all, they’re at the frontier.

So we asked ourselves why Mercado Libre doesn’t consider some business scheme to become independent, especially thinking about defending its own corporate interests. Mercado Libre uses Amazon Web Services to run its algorithms and manage its database. In Mexico and Brazil, both Amazon and Mercado Libre compete: who are you giving your data to? You might protect it, but you’re handing it to your competitor. Netflix, for example, states in its annual reports to the New York Stock Exchange that one of its main risks is that its systems run on Amazon Web Services, a company that has its own streaming service.

There’s a clear risk there. Mercado Libre’s response is that it’s not interested in getting into the data business or the server business, because it’s a business of a scale and expense that’s too large. From there comes the idea that there aren’t just two poles, but an intermediate layer that takes big tech’s technologies, adapts them, and thereby achieves a competitive advantage in a particular market.

It’s not just Mercado Libre in Latin America, which started with an eBay-like model for selling used goods, then created Mercado Pago with a security argument, releasing payment only once the buyer confirms receipt and that the product works, and later shifted toward an Amazon-like model selling new products from small producers. In India there’s Shopee, in China there are equivalent versions: in every region of the Global South, platforms emerge that, with local adaptations, achieve a competitive advantage, but at no point do they try to replace the big tech firms — instead they accept a subordinate position. Any loss of value they suffer from using that infrastructure gets passed downward.

That’s how Mercado Libre ends up with a serious problem around the volume of commissions it charges sellers, in logistics and advertising, replicating Amazon’s model. What we argue is that the main culprit in this dynamic is clearly Amazon, but that it would be naive to think there’s a path to development through these intermediate companies, because they aren’t independent agents with respect to that power, but rather the lever through which Amazon Web Services operates over Argentina.

In our fieldwork on technology adoption among small firms, we also found a local business model: small companies selling algorithms and cloud services with their own very small servers for equally small clients, because contracting AWS was too costly. Mercado Libre is something similar, on a larger scale: it adapted Amazon’s model to Latin America, has a first-mover advantage and controls the market, but is in an accepted position of subordination, with no clear way out of it.

What can be done to avoid the reproduction of these extractive models and reduce dependency form the global actors? I am thinking, for instance, about Pix, the Brazilian public payment platform.

When you reach the conclusion that these companies aren’t the path to development because they’re part of this global infrastructure, two clear positions tend to emerge from progressivism. One says that they’re simply part of the problem. And they are, but that doesn’t mean it makes no difference whether they exist or not. It wouldn’t be the same for Latin America if Mercado Libre existed or if everything were directly Amazon, because that implies there are certain capacities that, put at the service of a different political project, are already in place. You don’t have to go negotiate directly with Amazon in the United States.

What’s missing is that planning logic that defines what particular role we’re going to give these companies. They’re not going to save us, of course not, but having them based in Argentina, with some local connection, is an advantage. Several Latin American countries have public companies linked to this field. Argentina has ARSAT, which operates satellites, has a long history of producing ground data for agricultural applications, and has its own servers, in addition to having laid thousands of kilometers of fiber optic cable across the country’s interior.

We have those capacities. What’s missing is understanding the global picture, and there Cecilia’s book is very useful because there isn’t much material explaining how everything ends up filtering up to these big companies. What needs to be thought through is how to gradually cut those channels, without being able to demand that a single company face off against Amazon on its own and go under. A radical proposal needs to be built, but step by step. Nor can we demand that the public stop using international platforms, because they’re part of daily life. We need to find ways to progressively cut that dependence, developing alternatives. 

In that sense, the Pix case in Brazil is exactly what needs to be pursued. There’s a clear point of potential outreach: few people are deeply familiar with Pix beyond having used it on vacation and noticing it works well, but the story behind it, a public development that denied space to international companies, is genuinely interesting. In Argentina we have Cuenta DNI, run by Banco Provincia. I remember that a couple of years ago, in a course we designed with Cecilia and that she still teaches at San Martín, Digital Capitalism and Underdevelopment, one of the students worked at Cuenta DNI, and we often ended up discussing what they did with the data. The answer was that they had huge amounts of data on businesses and people, but they just sat there.

It’s not enough to say data is important: it has to actually be put to use, and you need to understand for what. Starting from public companies like these, you can begin building public infrastructure, cables, data centers, and open up a space for accumulation that doesn’t depend on the big tech firms.

The big problem, visible in the contradictions of digital development policy in Brazil or Chile, is that national states are crossed by competing interests, and these companies, not just Amazon but also their local partners, exert a lot of lobbying pressure. Progressivism is missing the ability to “sell” a general project that mobilizes people. If you ask the general public, even progressive legislators, whether the digital economy matters, many just think of their phone and not much else. In reality, behind it there’s an entire economic model and a whole possible development scheme, and that’s still fairly far from common awareness. I’ve heard well-intentioned people say that if the government wanted to, it should “create an Argentine Pix”, when in fact the Brazilian Pix itself could simply be used, as is already happening in Colombia. 

Pix is the first piece of a much bigger puzzle: where that data is stored, how it travels from phones or banks toward public infrastructure, toward national companies’ satellites. From there you move toward the idea of the digital stack, and I think different Latin American countries already have capacities for this, with public companies and large state banks that have invested heavily in various areas. What needs to start happening is, for instance, thinking about how Latin America could combine the Brazilian Pix with Argentine satellites. That way the goal stops being so unreachable, so utopian, and becomes something you can progressively work toward.

I’m very interested in the question of a Latin American path. It seems to me there’s more room for experimentation than in Europe, where we talk about regulating but keep using only USA software. When I talked to people from different Latin American countries, they often tell me more collaboration is needed, but that the political conditions for it don’t exist. What can be done in the coming years to move forward?

The first task is getting the far right out of power. In Argentina we’re at a very telling moment: Javier Milei’s discourse, and that of his delegate for artificial intelligence, was simply to install Amazon data centers in Patagonia because it’s cold there. That’s the end of the discussion. Before anything else, certain political consensus needs to be built, not only within progressivism but more broadly.

At least think of it instrumentally: there are ways to collect more taxes if companies are local, to recover sovereignty, to recover privacy for users regarding what data is collected, how it’s used, and where it ends up. It’s a less revolutionary, less controversial agenda, similar to the path that, with its own problems, Europe followed with data protection and the GDPR.

You raised an interesting point: that there seems to be more room to do these things in Latin America than in Europe. That’s where it helps that the region has intermediate actors that Europe doesn’t have. In Europe, the fight is directly against Amazon, with no local player you can tell, through proper industrial policy, to grow at that competitor’s expense. Here we have that space. 

We also need to develop the debate over where to locate data centers and what role ARSAT can play in connectivity across such a vast territory as Argentina’s, something applicable to the rest of Latin America: Amazon isn’t going to lay a cable to a city of a hundred thousand people in the middle of nowhere. There are many points of contact between today’s very modern, timely disputes over the digital economy and debates that are already fairly well established in the region about certain things the state has to do.

The problem is that doing that isn’t enough: it needs to scale up. Along with some colleagues, we’re trying to put together a series of talks to spread these issues. I think there needs to be a first stage where this doesn’t stay confined to specialist groups with political activism, but actually starts entering the public agenda. Argentina is in particularly bad economic shape for people to sit down and discuss this in depth, but we do have regional organizations, like Mercosur, that could serve as a space for it. The problem is that over the last twelve years, when Argentina had a relatively progressive government, Brazil didn’t, which complicates coordination. Progressivism in Mexico is relatively recent, and Mexico is too closely tied to the United States, which makes it hard to bring into this discussion, though if it were more aligned it would be a very significant player. Colombia, meanwhile, is joining in.

I don’t see it as such a hopeless space, but there’s a lot of work to do to get this onto the public agenda. If you look at the Argentine Congress, the legislative bills on artificial intelligence, even if they won’t pass, show the state of the discussion: some are very much on the right, along the lines of “don’t regulate anything,” close to Amazon’s or Peter Thiel’s discourse, while others at least attempt to advance privacy protections. We need to identify which of these issues best opens the door to public opinion.

When Australia regulated social media for minors, many said it was impossible, that it would never happen. Now all of Europe is taking steps in that direction and it’s gradually being accepted. At least let’s start there, and from there move toward general data privacy. There’s a lot of work to do before, or as a path toward, building that regional alliance capable of pushing change, because the interests on the other side are very strong and there’s a lot of money involved.

One area where we’re going to face immediate problems in the political discussion is data centers. There’s an established narrative that presents them as the “railroad of the twenty-first century,” according to which whoever doesn’t have data centers is left out of progress. But having data centers doesn’t mean being part of progress, because progress lies with whoever controls the algorithms, and that’s generally done remotely. People imagine a data center as an office full of people working, when in reality it’s a building that could have its lights off, with nothing but processors running. That’s where I see an urgent need for the region: to spread awareness, to explain these mechanisms, because you don’t need to be a programmer to understand the economic scheme behind them.

Moreover, within the context of a very fierce geopolitical struggle between the United States and China. Even among people who are somewhat aware of these debates, there’s sometimes a naive view of China’s role, as if the problem were only U.S. big tech and one could do business with Chinese big tech instead, following a non-aligned country logic. That shows a failure to grasp that the problem is structurally the same. China managed to develop its own tech ecosystem domestically, and it’s only now starting to expand abroad, but that’s not a different way out for us: we need to look for a genuinely different alternative.

If at some point Europe manages to steer its own ideas, that could serve as a reference, even if we say it somewhat mockingly, the “Brussels moment,” when Europe, after years of discussion, sits down and decides to move forward with regulation. For countries further behind on regulation, even if it doesn’t solve everything, it helps show that if it was done there and nothing terrible happened, social media didn’t disappear and people didn’t lose the ability to order food delivery.

For instance, we haven’t mentioned it yet, but there’s the case of Spain’s “rider law” for platform workers. In 2021 Spain passed a law recognizing platform workers as employees. Here, Milei’s latest labor reform, passed two months ago and currently suspended by the courts, goes in the opposite direction: it defines them as independent contractors, in a commercial relationship. When you point out that they’re actually workers, the usual response is that this would make deliveries disappear. Just look at Spain to see that isn’t the case.

Some basic awareness that these discussions are already happening elsewhere helps people understand that it’s not some outlandish idea to advocate for protecting people’s data, especially minors’, or to raise the tax issue: how these companies book their profits elsewhere to avoid paying taxes, when their entire wealth is based on data and yet they pay almost nothing. There are many possible entry points, and a discourse needs to be built that brings them all together, so that each country can then decide which of these issues resonates most with its public.

In Brazil, what happened with Twitter, with Elon Musk, and the clash with Trump, brought the issue to the forefront. Earlier, the wiretapping of Dilma Rousseff’s phone had already made data privacy a priority. We need to see what that triggering mechanism could be here. If we don’t manage to get this into public conversation, that’s going to remain the main problem, because after that, the public policy discussion, how far we can actually advance concrete initiatives, becomes easier. In Argentina today there’s nothing: no AI plan, no public infrastructure planning, no process of reflection on this. There’s even a push to privatize public companies. We’re so far behind that any progress would be radically different from what we have now. These two years are going to be mostly about resistance.

Speaking of institutions and wages: I’m a fan of a French philosopher, Bernard Stiegler, a Marxist who died a few years ago and who began studying platforms through the philosophy of technology, and he concludes that the wage as an institution no longer works, and he talked about finding other forms beyond wages, such as universal basic income. What do you think of that?

I can’t speak to his specific proposal, but it seems to me we’re at a moment where, after two centuries of capitalism, we had managed to move from piecework forms of payment toward a wage determined by the hour, so that the economic risks of the firm stayed with the firm and not with the worker. Today we’re in a moment of reflux, where firms are once again imposing piecework forms. In the case of platforms this is very clear: waiting time isn’t paid, and neither is connection time.

I think the first thing is to fight that battle on those very terms. I don’t think any of the new technologies necessarily comes bundled with piecework pay or the absence of a wage. I think it’s simply an abuse by firms, which take advantage of a labor market that doesn’t work well and an economy in crisis, and push forward given the weakness of labor unions. I’d still put at the center the need for a wage that pays for the worker’s available time, and for all the risks, health, accidents, economic, to fall back on the employer. 

Now, looking ahead, if someone argues that the employment relationship itself is at risk because a large share of the human workforce won’t have jobs and another form of social reproduction needs to be found, that’s a different debate, distinct from the one raised today by the rise of platforms. I’d frame it more as a discussion about how to regulate capitalism going forward. There I have my doubts, in line with the research we do on the replacement of labor in Latin America. It doesn’t seem that capitalism is moving so much toward building an industrial reserve army or a fully redundant population, but rather that it operates on both sides of the counter: it applies automation where it’s convenient for productivity, efficiency, or control, and hires under precarious conditions where that’s more profitable.

So the dispute is going to keep existing. We’re not heading toward a world without jobs, but toward a world with jobs under terrible conditions. So rather than just thinking about how to give people income under those conditions, which I don’t deny is necessary, I think the fight has to be over which technology is applied, how it’s applied, and what role we’re going to give companies in deciding where they place people and where they don’t. Recovering that control. There the role of the union and the shop steward is central, because you need to be present at the workplace itself. The state can do a lot, but without control over production at the point of production, everything becomes much harder.

We’re back to issues that were already being discussed in the 1970s. If schemes of German-style co-determination, or Nordic-style collective bargaining with near-universal coverage, can be pushed forward, there’s much more to gain over a twenty year transition, by being able to say that a given production unit doesn’t need automation, that there’s no real efficiency advantage, and that if it’s automated it’s only to control workers, so it shouldn’t be done.

A serious problem we’re going to face soon is the one we mentioned about programmers and entry-level jobs. Technology is wiping out those positions, and in ten or twenty years, once those who learned with the previous technology and now oversee AI retire, who’s going to know how to use it? If you eliminate all the entry-level jobs today, in twenty years not even the company itself will have real control over production.

We’re at a moment of a lot of experimentation, where firms, in the middle of a global crisis with no demand growth, push forward as much as they can. Then we see the results: it happened with the thousands of layoffs tied to AI over the last six months, and then it turned out that many of those workers were rehired because, without them, the company couldn’t sustain its business development. I wouldn’t trust very short-term trends as projections of what’s going to happen. 

I think that in this moment, clearly one of ebbing labor struggle, what needs to be done is strengthen organizations. My optimism rests on concrete cases, for example in the United States, where there’s a revitalization of union struggle in a country with anti-labor legislation dating back to Reagan, with “right to work” laws and similar measures. There you see a model centered on the shop steward, unit by unit, like the small Starbucks locations. I think that’s where we need to start.

The neoliberal globalization scheme, in which geopolitical risk and the fragility of supply chains didn’t matter and production was sent wherever was cheapest, has broken down. So the threat that used to be relocation, companies are now trying to turn into the threat of automation, as a means of control. But there’s also an opportunity there, because it’s no longer a dispute with a Vietnamese worker thousands of kilometers away whom you don’t know, but a direct negotiation with the local company, where the option of simply “leaving” no longer works the same way.

We need to return to that logic. The state can do a lot, I’m not sure through basic income, but by finding ways to sustain a welfare state that gives workers the security to take up that fight, funded by taxing big tech and machines. Even though the technology is new, I don’t think we need to invent great new things: we need to revalue political and power-building strategies that already worked. The geopolitical context of the coming years resembles earlier eras more than it does the 1990s. That extreme free-market neoliberal globalization scheme doesn’t seem to be working anymore, not for Europe, not for the United States, and that opens up space to redistribute a bit more of the gains companies made, through higher taxes and higher wages. It won’t be easy, but I think that’s the direction. 

The end of the end of history.  Now there’s a lot of talk about a new multipolar order, driven by China’s development, a mixed system, capitalist but with a lot of state control, which seems to work better than other models and could become a reference point for countries in the Global South.

Yesm and you can see that in the narratives. Over the last four or five years, the International Monetary Fund, which used to be completely opposed to industrial policy and state control over production, has published several papers explaining the success of Southeast Asia and China through the active role of the state. And then there’s Trump imposing tariffs. If a company’s entire business model depended on the existence of free markets, and trade wars keep breaking out, the space to discuss which technologies and which sectors to protect opens up again. Rather than thinking about a “new capitalism” centered on basic income, I think there’s still quite a bit to recover by recognizing that this remains a conflict between capital and labor. It’s an enormous undertaking, but I think it resembles that more than anything else. 

The problem with the capital-labor conflict is that, with the digital platform, the figure of the employer shifts and hides, and that makes it hard to clearly identify the adversary. It seems that labor fight against labor.

There we need to update our concepts and look for new ways of analyzing this, but if you strip away the technological veil from the digital infrastructure, it’s not actually that hard to understand. When the debate comes up over whether delivery riders are workers or not, companies often argue that the worker brings their own means of production, the bike or the car. But the digital infrastructure that makes that work possible is provided by the company. What’s the difference with going to work in a factory? None. On that point, things are fairly clear.

The same happens in marketplaces, in the dispute between small merchants who get charged very high commissions by Mercado Libre or Amazon. What’s the difference with a supermarket? Large chains, like Walmart, also charge very high fees to place products on the main shelf: it’s the same logic of one company over another. As Cecilia says, a good part of that dispute could be addressed with antitrust arguments. Companies have been smart about keeping prices low to avoid being targeted from that angle, but essentially that’s what it comes down to.

But Antitrust policy in the United States has been corrupted by that consumer-welfare logic. When I was in New York, I noticed the level of debate is overly technical and generally and always about the same topics, because if the company benefits the consumer, everything seems fine, even though prices no longer say much, since the platform loses money in one area to make it up in another. So, I’m more interested in the relationship between platforms and infrastructure, because it forces us to think of them as public utilities.

When people say Amazon is the biggest company in the world, they think of the marketplace, not Amazon Web Services. But Amazon is investing in cables, data centers, and energy, building the infrastructure that states used to build, in order to become independent of them. When you frame it that way, and add that it charges very high commissions or is squeezing out other players, it becomes clear that it’s a monopoly.

Does it make sense to open a competitor alongside it? In Argentina we had the experience of Correo Compras, a public marketplace that never really worked, because neither companies nor consumers were required to use it: the necessary network economy just wasn’t there. Setting up a second Amazon or a second Mercado Libre doesn’t work like that, on its own. To get to nationalization or regulation, you first have to make clear that this is infrastructure involving billions of dollars, and that the state needs to build its own cables and its own data centers, and offer them to the public.

The problem is financing, but that’s where the sovereignty argument comes in: if a country enters into conflict with any power, it could lose internet service. In Russia’s invasion of Ukraine, or in tensions with Iran, it became clear that if you clash with the United States, you could have your GPS shut off or lose access to the SWIFT system. Everything points toward these issues, which used to be hidden, becoming visible. Internet cables are a public service, and they can’t depend on a handful of private companies: whether you’re a liberal or not, that’s a risk. Antel, in Uruguay, has a stake in submarine cables; at the very least we could move toward public submarine cables connecting Mercosur. That’s something that can be done.

But that connects to the problem is investment, because Big Tech has accumulated so much capital that they can lose money for ten years to win a market, while states are always in crisis.

That’s why one of the most important issues is that the digital economy seems like something so complex and novel that it requires inventing new tools, and that if you’re not a software engineer you can’t understand it. But once you break it down, the old discussions come back. Putting dependency theory back at the center makes it easier to connect these issues. In the past the problem was the U.S. banana company that set up its enclave, where the country’s rules didn’t apply, produced, took everything, and left very little behind. What’s the difference with an Amazon data center? None, really: it uses the country’s electricity and water, but everything else, the data, stays outside, and it’s much harder to recover afterward.

We need to find ways to connect today’s problem with elements closer to the historical public discourse we’ve had in Latin America. That’s why I have reservations about terms like “technofeudalism,” which suggest a radically new moment. I think the conceptual tools we already have still work in similar ways, and that the analogies of monopoly, abuse, and dependency remain more accurate. What needs to be built is an answer to the question of what the utopia of the digital world looks like for progressivism. Once that’s clearer, it will be easier to connect public policy debates with union struggle.

The Sounds of Obsession: Subtle Menace in the Music of Yash Chopra’s Darr

The classic Hindi film, Darr (1993), directed by Yash Chopra, is the story of the stalker Rahul, played by Shah Rukh Khan, wreaking havoc on the lives of the innocent lovers, Kiran and Sunil (played by Juhi Chawla and Sunny Deol respectively). As Rahul stalks Kiran, declaring his love for her, the audience is shown a window into the derangement of his psyche: the loss of his mother at a young age, unsent love letters during college, a shrine filled with pictures of Kiran, carving her name into his chest with a knife. His obsessive love turns to violence toward Sunil, and the lovers try to evade his sinister advances as Rahul chases them across the planet.

Originally advertised as “a violent love story” on its movie poster, the film largely follows the conventions of 1990s Bollywood, but Chopra and screenwriter, Honey Irani, create distortions of genre expectation through Shah Rukh Khan’s character. One of said genre conventions is the inclusion of original song sequences, composed by Pt. Shivkumar Sharma and Pt. Hariprasad Chaurasia (as the duo “Shiv-Hari”), with lyrics by Anand Bakshi. Despite their non-threatening surface exteriors, various musical devices combine with the filmmaking to give the songs a layer of menace that elevate them above the standard fare of contemporaneous Hindi film music. This creates a multi-tiered listening dynamic wherein the pleasant becomes grotesque in context.

The songs of Darr have become classics in the world of ’90s Bollywood film songs. But, behind the catchiness and fulfillment of industry expectation lies a multi-layered psycho-drama created by the songs’ interactions with Darr’s story and characters. This interaction exists not solely in lyrical concerns but also in the subtle musical gestures crafted by the minds of Shiv-Hari. At a surface level, listening to the film’s soundtrack is enjoyable; there are catchy melodies, lush orchestrations, and timeless performances by now-legendary singers. However, the deeper one listens with an analytical focus, the more disturbing, intriguing, and artistically edifying the songs become.

While the film begins with an idyllic, romantic tone, the music soon introduces an element of the sinister. After a brief introductory scene of Kiran, who is seen alone reading a letter from her fiance Sunil (although Yash Chopra already hints at Rahul’s presence in this scene), we find her with her friends at their school. We hear “Kiran, I love you” announced through the school’s public address. The music of “Jaadu Teri Nazar” (roughly “Your look is magic”) then begins diegetically, sung by Shah Rukh Khan’s Rahul (unbeknownst to Kiran).

By today’s standards, the early lyrics contain a definite romantic red flag in the lines “Tu haan kar, ya naa kar / Tu hai meri Kiran” (“whether you say yes or no, you are mine Kiran”), but in the world of early 1990’s Bollywood, this type of courtship is nothing out of the ordinary. However, Shiv-Hari’s orchestration implies something more sinister, ending the song with a repetition of the line “tu hai meri Kiran” with aggressive orchestral chords.

The actual nature of the song and truly the thesis statement of the entire film is then revealed. Kiran is seen on a train which enters a tunnel and becomes pitch black. We hear a voiceover say the words “Pyaar jab had se guzar jaae to pooja ban jaata hai, aur pooja bhatak jaae to junoon” (“when love crosses a boundary it becomes worship, and when worship goes astray it becomes obsession”). Upon emerging from the tunnel, “Jaadu Teri Nazar” begins again non-diegetically featuring more obviously sinister lyrics, such as “bekhabar meri taqdeer hai tu / tu kisi aur ki ho na jaana / kuch bhi kar jaaonga main deewaana” (“unaware, you are my destiny / don’t you become someone else’s / I am crazy and will do anything”). With this, “Jaadu Teri Nazar” becomes a cipher for the film’s stated theme of love turning into obsession.

Another thematically important part of Darr‘s soundtrack that directly connects to “Jaadu Teri Nazar” is an instrumental track labeled “Obsession (Dance Music)” on the film’s commercial soundtrack release. After proceeding to terrorize the lives of Kiran and Sunil in various episodic scenes, we see Rahul in his apartment, playing the melody of “Jaadu Teri Nazar” on his harmonica. Chopra then cuts to a fantasy sequence scored by “Obsession (Dance Music).” We see Kiran dancing in a shapeless void, assumedly in Rahul’s imagination.

Shiv-Hari’s music starts out calmly, almost entirely with percussion instruments. The fervor of the percussion increases, as does the intensity of Kiran’s dance and the rate of cuts in the visuals. Frenzied imagery and intense music combine to reflect Rahul’s increasingly spiraling self-control. Kiran’s titillating movements to the music in Rahul’s mind further showcase his derangement. The inclusion of the melodic material of “Jaadu Teri Nazar” in “Obsession (Dance Music)” helps to create the idea in the listener’s mind that this melody represents Rahul’s obsession over Kiran. After a brief guitar interlude, the music grows to a climax characterized by wordless choir singing and crashing percussion. At its highest dramatic point, the men in the choir sing the same melody as the line “tu hai meri Kiran” from “Jaadu Teri Nazar” three times before the music ends with Kiran standing in the rain with open arms.

Screencap from “Obsession (Dance Music)” in Darr (1993), directed by Yash Chopra

Yash Chopra zooms in towards Kiran as the sound of Rahul’s harmonica playing “Jaadu Teri Nazar” intercedes into the audio of the film, signaling the end of Rahul’s fantasy. Screenwriter Honey Irani’s choice of the harmonica for Rahul’s instrument further clarifies his character. Its sound is tied to classic cinematic images of loneliness. The 1975 Hindi film, Sholay, sees Amitabh Bachchan’s character Jai playing the harmonica while observing Radha (Jaya Bachchan). In Sholay, Radha is a widow—for her to remarry would be a social taboo. Jai’s circumstances have forced him into a life of crime for survival—his playing the harmonica while simultaneously falling into a love that is doomed from the start is paralleled in a contorted way in Darr‘s Rahul. Sholay is one of, if not the most, famous film in the history of Indian cinema—such a comparison would likely occur to contemporary viewers of Darr. This association is triggered sonically through the harmonica’s strained timbre. The instrument even at a physical level could represent Rahul’s frame of mind: it is a rare instrument where one has to both exhale and inhale in order to produce sound. The song “Tu Mere Saamne” echoes this action as it features Rahul heavily breathing in and out at a menacing cadence.

“Tu Mere Saamne,” the final song in the film, sees a dangerous evolution in Rahul’s obsession. It occurs after Sunil and Kiran steal away to Switzerland for their honeymoon, where Rahul finds them and befriends them, as they have never seen his face. His now face-to-face intervention in their lives triggers another fantasy of Kiran in his mind. Despite being a love song on its surface, Shiv-Hari begin the song with forceful orchestral bombast and men’s chorus (which precede the aforementioned heavy breathing), akin to the ending of “Jaadu Teri Nazar” and parts of “Obsession (Dance Music).” Anand Bakshi’s lyrics draw parallels between Rahul and Sunil. “Tu Mere Saamne” (“You are in front of me”) is eerily close to the first words heard in the entire film: Sunil’s words in Kiran’s mind as she reads the love letter he had sent to her (“Jaan, main tumse door hoon. Lekin, tum mere saamne ho.” This translates to “Love, I am far from you. But you are in front of me.”). Sunil’s love is true, but Rahul’s love has crossed the threshold.     

Rahul’s early fantasy of Kiran picturized in “Obsession (Dance Music)” did not include Rahul in her presence. This new fantasy changes that dynamic. The line “Tujhko dekhoon ke pyaar karoon” (“Should I gaze at you or make love to you?”) is intermingled with lyrics indicating disbelief yet confirmation that Kiran is now his possession. “Jaadu Teri Nazar” stated “Tu hai meri, Kiran”–simply “You are mine.” The iteration of this sentiment in “Tu Mere Saamne” reaches a point of completion with the line “Tu meri ho gayi”–literally, “You have become mine.” The mukhda (a term that translates literally to “face” that refers to the initial memorable portion of a song) finishes with the line “Kaise main aitbaar karoon” (“How can I trust [this reality]?”). Udit Narayan’s vocals, as well as the contour of the melody line, are fairly simple, unadorned, reflecting the single-minded arrested development at play in Rahul’s psyche (the same could be said for Narayan’s vocals in “Jaadu Teri Nazar”).

Lata Mangeshkar’s vocals in the next stanza overlap with the ending of Udit Narayan’s stanza with considerable echo effects added. This adds to the dream-like, imagined quality of the song—Rahul’s brain at the height of delusion. Mangeshkar’s vocals are shallow with an almost child-like lilt, fitting the simplistic melody. Shiv-Hari composed a tune paralleling the simplistic logic at play with Rahul’s derangement. The Kiran that sings in the song is a cheap imitation—a tulpa in Rahul’s mind. His imagined Kiran sings “Toot gayi tootke main choor ho gayi / Teri zid se majboor ho gayi / Tera jaadu chal gaya…” (“I am broken, I am shattered / Your persistence has compelled me / Your magic has worked”)—a twisted and delusional perspective on romance befitting a murderous stalker.

Screencap from ,”Tu Mere Saamne” Darr (1993), directed by Yash Chopra

The danceable, but somewhat menacing instrumental interludes of the song also connect with the earlier sequence set to “Obsession (Dance Music).” The use of a prominent clarinet solo, an uncommon occurrence in Bollywood film songs, adds to the phantasmagorical quality of the song by introducing a foreign timbre. The visual is that of a strange liminal space, a place with no coherent scenery but with raining rose petals.  Rahul plays piano as Kiran writhes suggestively. This particular visual shows that Rahul has now placed himself next to her in his own fantasy as opposed to just seeing her. He is no longer simply declaring that she is his—she has become his.  

(The following two paragraphs contains significant spoilers)

Throughout the finale of the film, where Rahul is found out and killed by Sunil, Shiv-Hari’s background score is dominated by a particular theme that had been first introduced earlier, always connected to Rahul’s fixation with Kiran. It is characterized by two notes constituting a rising major sixth interval which morphs into a rising perfect fifth interval before deteriorating into a winding chromatic melody that eventually loses intelligibility. The first mentioned interval, the major sixth, traditionally has a romantic quality, especially at its iterated tempo in Darr–a soaring, almost Wagnerian yearning. The second interval, the perfect fifth, is acoustically at rest. But, with the pitch level at which it is presented in relation to the earlier major sixth, it is contorted–it implies a different musical key, an incompatibility. This particular interval happens to be the same as the beginning of “Jaadu Teri Nazar.” This theme’s association with Rahul indicates its mirroring of his emotional incapacity. What he views as love, in this case represented by the major sixth, becomes contorted into his obsession with Kiran, the perfect fifth that connects to “Jaadu Teri Nazar.”

The melody that succeeds these two intervals is simultaneously chaotic and tragic—chaotic in light of his murderous actions, tragic as Rahul’s final end symbolizes a human life wasted on mental derangement. At the end of the film, Shiv-Hari use the theme to paint this tragedy, iterating it twice, first with a subdued muted  trumpet, then with a wordless female chorus, as Rahul utters his last words. Yash Chopra reiterates the overarching theme of the entire film one more time by playing an a cappella version of “Jaadu Teri Nazar” over one final shot of Rahul’s lifeless body.

Both the songs and background score of Darr showcase an approach to soundtracking wherein the sonic content not only operates in close coordination with the mood and atmosphere of the film, but with the characters, storyline, themes, and intrinsic reference points orchestrated by Yash Chopra and his crew. Shiv-Hari’s music is not simply color and vibe, but multi-faceted content that rewards close listening just as repeat viewings of the film can illuminate the finer nuances of the plot. It is music that contains a sub-surface circuitry that, even when the listener is unaware of its complexities, creates a richer artistic statement than music that has a similar surface (a similar color and vibe) without the same profound approach to its unseen infrastructure. Shiv-Hari’s soundtrack’s rich subterrain integrating with and projecting onto the visual and narrative elements of Darr creates a rare cinematic totality.       

Featured Image: Still from “Jaadu Teri Nazar” by SO!

Zane Merritt

REWIND! . . .If you liked this post, you may also dig:

“Gendered Soundscapes of India, an Introduction“–Monika Mehta and Praseeda Gopinath

The Queer Sound of the Dandiya Queen, Falguni Pathak-Pavitra Sundar

Out of Sync: Gendered Location Sound Work in BollywoodPriya Jaikumar

“So Jao”: Sound, Death and the Postcolonial Politics of Cinematic Adaptation in Vishal Bhardwaj’s “Haider” (2014)Abhipsa Chakraborty

Fugitive Study, Autonomous Media

What becomes possible when study is detached from education, accreditation and the demand for individual improvement? And what kinds of social relations emerge when study is approached not as preparation for a qualification or career, but as something worth doing in itself? Here are are joined by Eli Meyerhoff, author of Beyond Education: Radical Studying […]

WEBINAR | Distributing knowledge for equity: two new books and an evolving concept for Open Science

WEBINAR | Distributing knowledge for equity: two new books and an evolving concept for Open Science

When: Monday 14th September, 2pm UTC (8am Mexico City, 3pm London and Abuja, 4pm Berlin, 5pm Kyiv)

Registration (free): https://us02web.zoom.us/meeting/register/D_Wh9aIJQA66rYlvuSZwwg

The publication of two open access books by the Diamond open access publisher Open Book Publishers stimulates this webinar to explore openness and equity in the distribution of knowledge. The session will include presentations from an international cast from Australia, Germany, Mexico, Nigeria, UK, and Ukraine.

We will discuss topics such as: how openness can contribute to equity in access to education and the production of knowledge, how open infrastructure can offer new models of education, the creation of the ‘University without walls’ as a crisis response, the need to consider the politics of open, and a new framework for the distribution of open science. Presentations will be very short to allow a discussion of possible next steps in advocating for these ideas to transform higher education.

Chaired by Lucy Barnes, Open Book Publishers

Open publishing – Ivonne Lujano: Achieving equity and preserving quality without reinforcing global power imbalances

Open education – Igor Layman: Ukraine’s crisis response and the University Without Walls; Richard Heller – Distributing knowledge: openness, equity, and higher education transformation

Open infrastructure – Daniel Otto: Distributed Learning Ecosystems; Omo Oaiya: African Distributed Digital Campus

Open science – Yana Suchikova: Open Science Distribution as a framework connecting publishing, education and infrastructure

Discussion. Action/advocacy

Participants

Lucy Barnes, Senior Editor and Outreach Coordinator, Open Book Publishers

Ivonne Lujano, Post-doctoral researcher, El Colegio Mexiquense, Mexico, and Community Manager and Ambassador at the DOAJ

Igor Lyman, Head of Department of History and Philosophy, Berdyansk State Pedagogical University, Ukraine

Richard Heller, Emeritus Professor, Universities of Manchester UK, and Newcastle Australia

Daniel Otto, Professor of Educational Technology and Digital Education, European University for Innovation and Perspective

Omo Oaiya, Chief Strategy Officer, West and Central African Research and Education Network (WACREN)

Yana Suchikova, Vice-Rector Research, Berdyansk State Pedagogical University, Ukraine

The open access books that have inspired this webinar:

Just a reminder to register (free): https://us02web.zoom.us/meeting/register/D_Wh9aIJQA66rYlvuSZwwg

WEBINAR | Distributing knowledge for equity: two new books and an evolving concept for Open Science
WEBINAR | Distributing knowledge for equity: two new books and an evolving concept for Open Science

Counter-Accounting, Refusal, and the Future of the Strike

In this episode we speak with Abe Walker and Callum Cant about how workers produce knowledge of their own exploitation – and when making that knowledge visible risks strengthening the systems of management and control they oppose. Beginning with Walker’s work on counter-accounting, the conversation explores workers’ attempts to challenge official narratives through alternative records, […]

Rethinking Social Justice: Beyond the Paradox of Protest in a Culture of Contest

Rethinking Social Justice: Beyond the Paradox of Protest in a Culture of Contest

By Michael Karlberg

In the summer of 2000, against the backdrop of Vancouver’s beautiful north shore mountains, I was defending a doctoral dissertation that would become a book titled Beyond the Culture of Contest. In that dissertation I examined how central institutions and practices in the modern world have been organized around the principles of conflict and competition: partisan contests in the political arena, contests of advocacy in the legal arena, contests of capital accumulation in the economic arena, contests for grades and recognition in the educational arena, and even physical and mental contests in the arenas of recreation and leisure. Ironically, the doctoral “defense” I was participating in was yet another expression of this culture of contest.

My dissertation examined the questionable assumptions and justifications the modern culture of contest was based on, along with its deeply problematic social and ecological consequences. Those consequences inevitably gave rise to countless movements protesting the unjust and unsustainable nature of the prevailing order. This gave rise, in turn, to the paradox of protest in a culture of contest. This paradox arises because protest and related forms of contentious politics are also expressions of the culture of contest. And they inadvertently reinforce the underlying principles the culture of contest is organized around.

Exploring a way out of this paradox of protest would become a defining feature of the program of research I pursued over the next quarter of a century. Along the way, I benefitted from the engagement of hundreds of individuals who enriched and refined my thinking. For the past decade, a primary thought partner and collaborator on this path of learning has been Derik Smith – a professor of African American literature who had already been grappling, in his own way, with similar questions and concerns.

Our joint path of inquiry recently led us to coauthor Rethinking Social Justice: Theory and Practice in an Age of Transition. This book traces the evolution of the modern discourse on ends and means in the pursuit of social justice. Drawing insights from this discourse and the empirical body of experience associated with it, the book argues that in order to move beyond the prevailing culture of contest – and transcend the paradox of protest – we would do well to orient toward the horizon of contributive justice and center radical constructive agency as a primary means of advancing toward that horizon.

Rethinking Social Justice: Beyond the Paradox of Protest in a Culture of Contest

The book also argues that we are living through a transitional age in human affairs when this reorientation is not only becoming possible, it has become imperative. Humanity’s scientific, technological, and economic advances have transformed the conditions of our existence. Under these conditions, the culture of contest is becoming increasingly maladaptive. Indeed, its social and ecological consequences now represent an existential threat.

Much more can be said about these themes, but that is beyond the scope of this brief blog post. Readers are invited to turn to the book for that longer discussion – or to just turn to its summary chapter for a concise overview of our argument.

Back in the summer of 2000, when I was defending my initial argument regarding the culture of contest, the implications of that argument were not yet clear to many observers – including my doctoral supervisors. But today I live in the epicenter of the culture of contest: The United States of America. Back in 2000, few would have predicted the vulgar extremes to which the culture of contest would soon become manifest here. Even fewer would have predicted the way this would, in turn, destabilize the entire post-World War II global order.

Many people are now lamenting the loss of that global order and hoping, somehow, that we can restore it. But those who lament tend to have been the primary beneficiaries of that order. Meanwhile, much of humanity applauds the disruption of an order that served the needs of the few at the expense of the many, and at the expense of generations not yet born.

Regardless of one’s position in relation to that vanishing order, there is no going back because the earth and its multitudes cannot sustain it and will not abide it. We’ve entered a period of profound crisis in human affairs. But in this crisis lies opportunity. What is required now is for growing numbers of people to be animated by a radical social imaginary and to translate this into movements of radical constructive agency focused on building a new social order. If humanity hopes to survive and flourish, this new social order will need to embody the principle of contributive justice. In other words, it will need to be characterized by social conditions in which every individual and group can develop their latent capacity to contribute to the betterment of humanity.

Derik and I have faith in humanity’s capacity to do this. It will not be easy. And it will not happen overnight. But the longer we cling to the past, or the longer we doubt human capacity to do this, the greater will be the toll of human suffering. No species on earth has the cooperative, creative, constructive capacities we have. They’ve enabled us to peer into the depths of the cosmos and plumb the mysteries of the subatomic world. They’ve enabled us to send people to the moon and back, develop instantaneous systems of global communication, map the human genome, and invent machines capable of learning. The powers of the human spirit are up to the challenge. And all the forces of history are now bearing down on us, compelling us to learn how to release these society-building powers in every greater measure through commitments to contributive justice and radical constructive agency.

Rethinking Social Justice: Theory and Action in an Age of Transition by Michael Karlberg and Derik Smith is freely available to read online, or available to buy.

Disrupting the Transition

In this episode, we speak with Nicholas Beuret and Keir Milburn about ecological transition as a terrain of class struggle – not simply a technical shift in energy systems, but a contested reorganisation of investment, work, infrastructure and everyday life. They examine how the existing green transition uses ecological crisis to stimulate investment and renew […]

Streaming after Instantaneity

Speech at INC Exit Fest, OT 301, Amsterdam, 25th June, 2026.

Online video has become the general condition of social media, a streaming vortex driven by extractivism and behavioural targeting. Reflecting on my experience as a member of CDI-TV,[1] a collective contributing to StreamArtNetwork (SAN), I want to consider this condition from a specific angle, what I am calling poor chroma: the shimmering, unstable borders that appear where chroma-keyed bodies fail to seamlessly converge with the background, where a slight glitched-out halo forms around hair and fingers, the signs of a spill that doesn’t quite wash out. They might seem like minor technical imperfections, but I argue that poor chroma offers one way to understand the stakes of streaming in terms of tactical publishing, strategic power and the logistical operations of streaming infrastructures. Poor chroma can help us understand how liveness, distribution and collectivity are both held together and apart by corporate stacks; in other words, how they are interfaced and, therefore, how the mediation within the vortex becomes conceivable.[2]

THE UNSTABLE OBJECT

Let’s begin with a classic premise of video theory: the fact that video has never had a stable definition as a medium. As Sean Cubitt put it: “there is no essential form of video.”[3] Video’s impurity was inseparable from its potential, both actualised through multiple, contradictory uses, including surveillance, art and performance, television, home recording, feedback systems, activist media, webcams, tutorials, gaming, videocalls and streams. Video has always been plural, hybrid, difficult to contain; qualities that passed on to tactical media from the very first Next Five Minutes on tactical television.

There is one thread, however, which I want to pick up on: instantaneity. The live image fascinated early video theory, particularly in the forms of ‘the monitor’ and feedback, through which images could be returned quickly enough to alter the situations from which they emerged. This is a lineage that runs from Paul Ryan to Vilém Flusser, from Dan Graham to Rosalind Krauss,[4] where reflexive instantaneity might mean either cybernetic becoming or a new form of narcissism, along with the promise of talking back to television, a critical ambition conveyed in Ryan’s slogan: ‘VT is not TV’ (videotape is not television).[5]

In the 1990s, Maurizio Lazzarato gave this predilection onto-political force in his Deleuzean account of video as a technology of time rather than movement. Drawing inspiration from Nam June Paik’s observation that “video imitates not nature, but time,”[6] Lazzarato foregrounded video’s live quality as a capacity to intervene in processes of collective subjectivation (‘machines to crystallise time’). Crucially, he also warned that this capacity can be captured: television, for him, was an apparatus of power constituted as the denial of video’s real time. When read alongside his later development of these ideas in Signs and Machines,[7] the trajectory becomes clear: the platform is now the apparatus that enacts this capture. Livestreaming and online video are delivered through complex time-managed assemblages, involving latency settings, buffers, codecs, adaptive bitrate ladders and many other obscure mechanisms. The old promise of video was instantaneity, and the platform stack today administers it.

TEMPORAL BANKS

The livestream thus flows into the platform as into a reservoir, as Michel Serres might put it. In Hermes IV: Distribution, in an essay on the history of motors (moteurs), Serres argues that information technologies function by perpetuating differences, but only from a filled reservoir.[8] He condenses the schema, relevant to theories of technics after the industrial revolution, as: “Réservoir, Différence, Circulation” – a triad that can also assist in conceptualising the platform logic of liveness. Within this schema, the stream becomes a reserve of time, affect and social charge from which further differences can be generated (as we might say after LLMs), ranging from clips to reactions, conversion and retention curves, even training data. Circulation then puts those differences to work through transmissions and feeds in pursuit of profit. In the subrepresentational sense of datafication, the stream is already archival before it goes live. It moves from capture to liveness, followed by replays and remixed content. The influence of reality TV’s production logic is apparent here, epitomised by the ‘content house’ or ‘collab house,’ where sponsored influencers enact a kind of primitive accumulation. In the extreme, everything is streamed, chronically captured and banked for subsequent circulation. But this does not mean liveness has lost all force. The live moment still has an intensity: a risk, a danger, a vulnerability, sometimes just awkwardness. The key question is how this instantaneity survives when it flows so quickly into architectures of extraction; whether the reservoir can still pool and release a shared or collective time, rather than simply feeding the platform’s channels of circulation.

THE DIGITAL BONFIRE

On this point, for me, the work of UKRAiNATV is a deep inspiration. Following Russia’s full-scale invasion, they would light what they called a ‘digital bonfire:’ a chroma-keyed livestream often sent from StreamArtStudio in Kraków across dispersed geographies, and around which a core collective would hang out, discuss, perform, DJ, cook, sometimes even sleep on stream (all streaming ultimately takes place in a bedroom). Their practice emerged from conditions of war and crisis, where ordinary forms of gathering, care and co-existence have been violently interrupted. The solidarity concept they developed through this practice is known as hybrid togetherness.[9]

Central to UKRAiNATV’s practice is a refusal to respond to violence by reproducing war as spectacle; instead, they create an ambient counter-flow, what Geert Lovink has described as an “oasis of slow tech.”[10] Their aesthetics often involve the multiplication of frames, extensive use of feedback loops, and, of course, the chroma-key itself; all of which maintains a shared, distributed spatio-temporal field in conditions of extreme pressure. Against platform liveness as an extractive reservoir, UKRAiNATV retrieves instantaneity by tending the bonfire; in doing so, they also accumulate traces: the frayed edges and shimmering feedback of poor chroma. Their streams, known as EFIR, are a way of keeping something open to a collective gathering, including the possibility of return. They show that unique forms of sociality, even culture, can still be produced inside the heavily formatted conditions of the techno-social.[11] And all this remains possible even when those conditions are hostile or deeply compromised.

VIDEO AS PUBLISHING

At CDI-TV, we became interested in StreamArt aesthetics because of the way they explicitly take up live video as a critical composition, rather than an afterthought. A great deal of institutional streaming is still determined by the auxiliary logics of recorded talks, online meetings, remote teaching, maybe the odd promotional clip. The pandemic period looms over all this as the period where online video was widely rolled out, but mainly as a fallback infrastructure. CDI-TV counters these dynamics by treating video foremost as publishing, taking inspiration from research projects like Expanded Publishing at INC by emphasizing public-making and deliberate editorial distribution.[12] A few months ago, we published our transcripts from Season One as a downloadable book, Hybrid Encounters.[13] We’re interested in video first as a mode of thought: a milieu of experience, individuation or subjectivation. Radical video pedagogy should not mean an unreconstructed lecture or Zoom seminar.

Poor chroma embodies this mindset, refusing any fantasy of transparent playback. A good chroma-key might make the green screen (almost) disappear, separating foreground from background so smoothly that the operation vanishes, but StreamArt leaves the seams perceptible, sensible: whether through feedback, the multiplication of framing or visual spillage that marks the persistence of borders awash in a field of calculation. Bodies appear processed. Poor chroma updates what Hito Steyerl called ‘the poor image,’ but within the context of live compositing. For Steyerl, the poor image is “a copy in motion” that loses resolution as it travels, trading fidelity for speed, circulation and social life.[14] Poor chroma is slightly different, however: it trades compatibility with platform technics and the influencer economy for a sociality of care. Poor chroma foregrounds the role of green as a sacrificial colour, a persistent reminder of the costs and exclusions of the livestream image.

RESISTANCE AND ITS LIMITS

Video supports counter-publics, but livestreaming does not automatically mean critical resistance. Livestreams can document abuse and sustain solidarity, but they can also intensify harassment, manufacture far-right spectacle and monetise outrage. When organised networks are easily absorbed by platforms and their energies are metabolised as engagement, a critical approach should reveal or reorganise the conditions of circulation, which is to say, the logistical worlds at stake.[15] Dealing with an erosion of autonomy and a hostile infrastructure is a difficult problem. How do you gather together without becoming merely an audience segment? How do you keep something alive without succumbing to the audiencing of the influencer? StreamArt is, for now, a contradictory formation: there are increasing experiments with PeerTube and sites like The Inbetween, but it often moves through YouTube and Twitch. The stream reaches us because it passes through Big Tech data centres and their systems, one way or another. The digital bonfire burns inside the corporate stack. However, StreamArt treats that stack as a problematic field and doesn’t mistake access for empowerment. It projects hope from within conditions where the platform formats the future.

VIDEO WITHOUT VIDEO

The platform’s formatting needs to be tackled at the infrastructural level. This is what THE VOID’s formulation of ‘video without video’ suggests: that is, video understood as technical media. Software studies can be of use by extending analysis to the non-visual dimension of compression algorithms, network protocols, playback devices and other techno-settlements of power, in the spirit of what Harun Farocki called operational images.[16] Poor chroma becomes a diagnostic force here, accumulating traces from interfaces that continually assemble images of bodies through signals. Chroma-key filters, for instance, work through colour distance and luminance, while codecs predict blocks and motion as the stream enters the platform; these operations pull in different directions and both contribute to the indeterminacy of StreamArt aesthetics. As hybrid transmissions leave the platform, moreover, they flow through adaptive bitrate ladders, where content from the same event is multiplied into variants of different resolutions. One viewer receives a crisp high-def image, another receives a more compressed, blurry or blocky experience. The ladder preserves connectivity, dividing togetherness by differentiating it. The event, in other words, survives through graceful degradation, designed to keep people with different bandwidths and devices connected by turning volatility and inequality into individualised losses. Within laddering is a micro-temporal regime of resilience which strives to deliver more of the same and keep everyone locked in.[17]

BEYOND THE LADDER

I want to end by returning to the frayed edges of the composite. The poor chroma of StreamArt is not yet an exit from the platform condition, but nor is it, as UKRAiNATV insist, a celebration of glitch for its own sake. I see it as an encounter between the corporate stack and other values, other ways of relating. If an early promise of video was instant feedback, the platform has transformed this potential into an administered, profit-seeking condition. Yet StreamArt follows the lineages of experimental video, exploring the transformation of that spirit inside today’s streaming vortex. Something of the experiment survives – the ladder sees to it – but that doesn’t tell us what survival is for. For that, we might need to consider a migration to other horizons, away from the stack towards more autonomous infrastructure. But then, what would StreamArt need to sacrifice to make that trip, and would it survive?

[1] CDI-TV is a collective comprising Carolina Bandinelli, Michael Dieter and Craig Gent, based at the Centre for Digital Inquiry (CDI), University of Warwick. See https://warwick.ac.uk/fac/cross_fac/cdi/

[2] Together and apart is a formulation from Branden Hookway, Interface, Cambridge, MA: MIT Press, 2014.

[3] Sean Cubitt, Videography: Video Media as Art and Culture, London: Macmillan, 1993, pp. xv.

[4] On instantaneity as a recurrent, but non-essential feature of video, see Dieter Daniels and Jan Thoben’s monumental Video Theories anthology, which gathers these authors and offers a typology of instantaneity: Live Remote Image, Live Self-Image, Live Feedback, Instant Replay and Instant Replay Self-Image. They also note that the instantaneous video image “can only be described in relations and differences: it is specific to the medium but does not offer a general, essentialist definition of it.” Dieter Daniels and Jan Thoben (eds) Video Theories: A Transdisciplinary Reader, New York: Bloomsbury Academic, 2022, p. xxvii.

[5] Paul Ryan, ‘Videotape: Thinking about a Medium,’ in Daniels and Thoben (eds) Video Theories, pp. 28-31.

[6] Maurizio Lazzarato, Videophilosophy: The Perception of Time in Post-Fordism, trans. Jay Hetrick, New York: Columbia University Press, 2019, p.1.

[7] Maurizio Lazzarato, Signs and Machines: Capitalism and the Production of Subjectivity, trans. Joshua David Jordan, Los Angeles: Semiotext(e) Foreign Agents Series, 2014.

[8] Michel Serres, Hermès IV: La distribution, Paris: Minuit, 1977.

[9] Konrad Wojnowski, ‘UKRAiNATV – Streaming Philosophy,’ Tactical Media Room, Institute of Network Cultures, 26 April 2024; https://networkcultures.org/tactical-media-room/2024/04/26/ukrainatv-streaming-philosophy-by-konrad-wojnowski/

[10] Geert Lovink, Platform Brutality: Closing down Internet Toxicity. Amsterdam: Valiz, 2025.

[11] Tiziana Terranova, ‘Technoliberalism and the Network Social,’ Theory, Culture & Society 41.7-8 (2024): 89-104.

[12] Expanded Publishing: https://expandedpublishing.net/

[13] Carolina Bandinelli, Michael Dieter and Craig Gent (eds) Hybrid Encounters: CDI-TV Season One. Coventry: University of Warwick, Centre for Digital Inquiry, 2026; https://warwick.ac.uk/fac/cross_fac/cdi/cdi-tv_hybrid_encounters.pdf

[14] Hito Steyerl, ‘In Defense of the Poor Image,’ e-flux Journal 10 (2009), https://www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image/

[15] Ned Rossiter, ‘Logistical Worlds,’ Cultural Studies Review 20.1 (2014): 53-76

[16] Harun Farocki, ‘Phantom Images,’ trans. by Brian Poole, Public 29 (2004): 12-24; https://monoskop.org/images/f/f8/Farocki_Harun_2004_Phantom_Images.pdf. See also Jussi Parikka’s contemporary extension, Operational Images: From the Visual to the Invisual. Minneapolis: University of Minnesota Press, 2023.

[17] For a critique of this political epistemology, see Orit Halpern and Robert Mitchell, The Smartness Mandate, Cambridge, MA: MIT Press, 2022.

Digital Tribulations 23: Let’s Talk About Digital Sovereignty in Latin American Governments – Interview with Luis Papagni

The introduction of Digital Tribulations, a series of intellectual interviews on the developments of digital sovereignty in Latin America, can be read here. The entire series can be found here.

Esteban from the AGC (Asociación Gremial de Computación) — Argentina’s tech worker union — invited me to the first meeting of the informatical workers of Argentina. It was held at the UMET, Universidad Metropolitana para la Educación y el Trabajo, founded in 2013, and currently co-managed by more than 100 unions, civil society groups, and municipalities, which shape its degree programs and research agendas around the country’s productive and technological development. UMET runs a joint research center with CONICET, Argentina’s national scientific council, focused on work, technology, and social innovation. It offers subsidized tuition for union members and their families as part of a push to widen access to higher education for workers. The meeting ran from 6pm, with a light reception at the entrance: the coffee was bad, but the medialunas were good. There were associations coming from all around the country.

The room was full of people of all ages, including a couple of good-humored older and elegant men, and a small group of three tattooed videogame programmers from the “Women in Games” collective for whom the central issue wasn’t so much technical regulation as the regulation of AI-generated art. The topic of the evening was, in fact, the regulation of artificial intelligence, and the speakers who followed one another represented a range of voices: Esteban himself, speaking on behalf of the Observatorio del Trabajo Informático; someone from Calliope, a tech platform; and a representative of ADICRA, the computer science teachers’ association, who was arguing that regulation should be the ministry’s job — though, they admitted, the ministry itself is currently divided on the issue. A speaker from the foundation Sociedad Digital brought up Milei’s stance against any form of regulation, while the UMET’s own student center weighed in with the students’ perspective.

One intervention that stood out to me came from Buenos Aires’ R programming community, who made the case for free software as a way of breaking down barriers to access to knowledge — a point that ties directly back to the question of technological sovereignty: whoever controls the tools also controls access to knowledge. Also present were ARSAT, the state telecommunications company; Les Tiques, the LGBT+ tech workers’ collective; and the Observatorio de Derechos Informáticos Argentino. A recurring theme throughout the discussion was that regulation shouldn’t just impose limits — it should create conditions for industrial development in the sector. The Atlas de la Inteligencia Artificial para América Latina was cited in this regard.

Fig. 1 The meeting starts at UMET 

At its turn, Luis Papagni raised an interesting question: should the conversation start from the use of AI, or from its production? He pointed to Chile, which chose to start from production. I asked Papagni for an interview, which we did in San Telmo, Buenos Aires, one of the city’s oldest neighborhoods, known for its cobblestone streets, colonial-era buildings, and bohemian, slightly worn-down charm, with its antique shops and tango halls. We met in a café with good medialunas, sat down at wooden tables, and started discussing his recent thesis on a shared Latin American system of digital sovereignty.

***

Where did you work and how did you become interested in the topic of technological sovereignty?

I’m a systems engineer. I have a master’s degree in regulation and the digital ecosystem, which I did in Colombia, at Universidad Externado de Colombia. That’s regarding education. As for my work: I’ve been working for more than 25 years, starting in the private sector and then moving to the public sector in the Province of Buenos Aires. I began working at a provincial tax agency called ARBA (Buenos Aires Province Revenue Agency), and from there I started moving through different public management positions.

I was IT Director in Social Development, provincial Systems Director, manager at ARBA, director at the Ministry of Development and Environment. And then here at the national level as Undersecretary of Administrative Innovation. And my last public position was at the Argentine Embassy in Colombia, as Technology Advisor and coordinator of the Argentine Digital HUB. With that experience I started to see the issue of technological sovereignty: how the State often doesn’t take sovereignty principles into account, in the sense that today the digital world encompasses much more than the analog world. And at that point we have to start thinking about what sovereignty means in this digital ecosystem, which isn’t the same as at a physical border: how far does a country’s responsibility extend digitally, how should it maintain, protect, and control it. All these issues that I think today’s discussions are heading in a different direction, and sovereignty isn’t very present in them.

Maybe the big corporations do take it into account, but among countries, few have framed digital sovereignty as a real frontier, just like cyberspace. It has expanded so much that today, as citizens, we also need the State to protect its own assets, while also looking after citizens in the digital ecosystem. And today not many are raising this, nor acting on it. So that’s why I try to advocate on this issue: let’s discuss digital sovereignty. Not just discuss the use of artificial intelligence; let’s also discuss why we’re going to use foreign platforms instead of local ones, why we don’t drive local technology development, why we don’t work on transparency and algorithmic protection from the ground up—not only in Argentina, because I think this is also an issue for Latin America.

I had the opportunity to travel through several Latin American countries thanks to the role I held, and I think Latin American countries have great potential that is starting to become visible. The serious problem we have in Latin America is that we’re very fragmented. I think Europe is different, and in that fragmentation, the discussion gets a bit scattered: we’re not working in a coordinated way on sovereignty, either at the regional level or within each individual country. But I think it’s something that, above all, public regulators need to start taking into account.

Let’s consider two indicators of sovereignty: how much the topic is discussed and how much a certain country develops its own computational infrastructure. How is the Argentinian situation?

Let’s see: Argentina is one of the Latin American countries—if I’m not mistaken, it’s the only Latin American country—that has two satellites in orbit and one more under construction. In fact, with these satellites it has covered a large part of its national territory, and besides, it has satellite capabilities to sell to other countries as well. As such, Argentinian communication is safeguarded by a state-owned company. 

From this point of view, Argentina had, over the last 15 or 20 years, a vision of technological sovereignty that today I’m not seeing carried forward in the same way. I think that perhaps the regulatory mechanisms being pursued don’t have a vision of what sovereignty is and how that technological sovereignty could be maintained. Argentina, at the Latin American level, advanced enormously. Today it’s on a plateau, at least from what I know, without a clear definition on sovereignty issues.

There’s also the issue of data centers. It was very much in the news that, at the end of last year, there were announcements about establishing data centers in Argentina with a very, very large investment. I would take that with a grain of salt. It was an announcement without substance: there was no agreement, from what I know, not even from press reports, that could support that statement. They’re good intentions. Now, the topic is on the table, it’s starting to become visible. I think Argentina has a good setting to be able to establish these data centers. But in the vision of implementing data centers on national territory, there has to be a safeguard on the part of the State, in the sense of: what capabilities remain for Argentina? Is it just a short-term infrastructure investment, and then what? Because in the end Argentina is giving up natural resources, giving up technological capacity, giving up data. What’s left?

 I think that’s where you have to be extremely careful about how these kinds of contracts or agreements are made: what computing capabilities remain in Argentina. Not just human resource development capabilities, but also the capacity for companies and universities to use part of that processing capacity. I think that’s where we can add value: okay, they’re in Argentina; we’ll give benefits so these kinds of companies set up here, but we have to take into account human resource capacity development, data processing capacity development by academia, the State, SMEs; and the protection of personal data according to the rules that exist in Argentina. 

There’s a checklist of precautions before making grandiose announcements that, in the end, remained just announcements, because today there’s no effective agreement in sight, nor one framed from a clear point of view: whether it’s a financial agreement, what’s enabled, what’s required, and what remains. But it is a warning sign: certain precautions need to be taken when this kind of initiative is promoted. 

Part of digital sovereignty is the construction of digital public infrastructure (DPI). Latin America interests as a space of experimentation. For example, PIX was revolutionary in changing citizens’ lives in two or three years.

The issue of digital public infrastructures seems to me to be the evolution that countries that have achieved digital government need to make. I think Latin America—countries like Argentina, Brazil, Colombia, Chile, Uruguay—have progressed very well on digital government issues.  The thing is they reached a scaling point where they can no longer keep advancing. And I think viewing digital infrastructures as digital public infrastructures, as a public good, is the next step.

These DPIs are showing that it’s a scaling process. I think Latin America has many opportunities to make that leap. And I often compare it to a highway: it’s the highway of what’s coming, and it can be used both by the public sector and the private sector, not just the public sector. And things like digital payments, digital identity, interoperability mark the foundation of these digital public infrastructures: they need governance by the State, but public use, by both the public and private sectors.

That lets you get out of the current siloed compartments of digital government and start moving toward a much more fluid integration with the private sector. In PIX, payments can be made from both the public and private sectors, but with public sector governance to respect the rules, procedures, and protection of citizens in their accounts and so on. The State sets the rules, but the infrastructure can be used by both the public and private sectors. Also, digital public infrastructure gives you a view from the citizen’s side, from the end user’s side. Because up to now, everything built in digital government has been to solve problems for the State, without looking at the citizen. That is: an agency needed to solve some procedure, created an application, published it, and it looked great, but it solved its own problem. And the citizen was left with the burden of having to download that app, plus needing four more apps for different procedures. So you end up solving something for the State, but not for the citizens.

With digital public infrastructure, it’s about reversing that view: I have a single identity. In the analog world we have one identity; in the digital world we have infinite ones. So it’s about bringing that to the citizen’s side: that the citizen has a single identity; that they stop being a “digital errand-runner” for the State; that the State can achieve interoperability between the State and the private sector. And the safeguarding and protection—one of the main factors—is to facilitate those economic transactions for the citizen. That’s why I think these three pillars in digital public infrastructures need to move forward.

Apart from payments infrastructure, DPI is also digital identity systems. Can you tell us more about your recently written thesis?

The thesis covers a model of digital identity governance for Latin America: how to approach a digital identity model in Latin America looking at the European Union model, eIDAS 2 (the second version of the European framework/regulation for digital identity and trust services), which is currently in force. So the thesis makes a comparison of the possibilities Latin America has to implement a model similar to Europe’s, knowing that, for example, we don’t have a “supranational” body like the European Union. I ask: how should it be coordinated? What possibilities do countries have? What are the maturity levels of countries on this issue? And how could you implement a digital identity?

The thesis proposes—or leaves open— the possibility of thinking about a body: a regional digital identity council, the CRID, formed by organizations like the Organization of American States (OAS), which is the regional political forum of the Americas, and by funders such as banks, to decide what will be used and what policies should be adopted. I approach this issue starting from the history of digital signatures in Latin America. Why did I focus on digital signatures? Because in Latin America—especially in the southern countries: Argentina, Brazil, Uruguay, Paraguay, Chile, Colombia, Ecuador—the laws implementing digital signatures date from roughly the same period. And all the countries started advancing with digital signatures independently. But what happened? Many chose different standards, different infrastructure frameworks, different political integration frameworks. And each one developed on its own.

When we got to 2017–2018, discussion began on how to integrate or achieve interoperability between countries with digital signatures. And we found that, since we had different standards, different security policies, different infrastructure, it was very difficult to establish an integration method for everyone together. 

All of this happened with the first eIDAS directive too, the European regulation to unify digital identity and signatures, with all the difficulties there were in getting different countries’ systems to talk to each other.

Exactly. Today, to have a digital signature with cross-border validity, you have to make a country-by-country agreement: bilateral agreements. Because you have to look at the infrastructure, the legal side, and the standards schemes the other country has in order to validate it on your end. But you have to do it one by one. If they had made a decision to have a standard with a specific policy from the very beginning, all of this would have been easier. So my purpose in the thesis is: let’s not wait to integrate or achieve interoperability once digital identity is already deployed. The topic is already being discussed: let’s establish a standard now. Then, each country has the autonomy and sovereignty to implement digital identity whenever it wants, but with a standard decided at the regional level so this doesn’t happen to us again.

What I liked about the second European directive is the proposal of a standard definition. I think that’s the basic and fundamental thing: a standard definition. And integration with the private sector. These are two points that I think Latin America doesn’t see today. I’ll tell you why: it’s a very fragmented region. Very fragmented internally within each country, and at the regional level. So it’s very hard to move forward on common directives and common policies. There’s also fragmentation with the private sector: I think Latin America has a marked border between the public and private sectors, and that’s not as much the case in Europe; there they can work in a more coordinated way. I think these are two measures we need to start taking from the very beginning.

Within the debate on digital identification, what’s your opinion on the use of biometrics? Brazil uses it a lot with some personal data protection issues. 

I think biometrics is very useful, but it needs to be safeguarded by the public sector. You shouldn’t use biometric data for the private sector. So I think a path of sovereign digital identity, using blockchain for example, where the State is the one that can biometrically identify a person and issue their credential, and then validation by the private sector is done without biometrics, is a scheme that can work.

The private sector doesn’t need access to your biometrics to be able to validate your identity. And at the security level, it’s one of the most secure pillars. It’s a scheme similar to the digital signature one in Argentina: you validate your identity with biometrics to get your digital signature, and you revalidate it every two years. With verifiable credentials, something similar could be done: every so often you revalidate with biometrics, but the biometrics are handled by the State with safeguards and personal data protection, without opening it up to the private sector.

Did you find anything interesting about the development of this kind of system in other American countries?

Yes. I found something I wasn’t expecting. Caribbean countries didn’t advance in digital government the way Argentina, Brazil, Uruguay, and Chile did. However, they found in digital public infrastructures a leap toward a “smart government” model, without going through digital government first. They found that digital public infrastructures let them integrate many services without having first built a complete digital government, and jump straight to a smart government. And that gave them an exponential leap.

The case of El Salvador, the Dominican Republic, Costa Rica: they’re already working on digital public infrastructures and with digital identity much more advanced than countries that had progressed a lot in digital government. Why? First, because you have an important level of political decision-making: when the political decision-maker sees “I’ve already solved this,” you have to make them understand that this is about scaling. And second, because governments that advanced a lot in digital government have to integrate what they created with the private sector. Many advanced internally, but didn’t integrate with the private sector.

Caribbean countries, on the other hand, which hadn’t advanced before, had quick adaptation, quick implementation, and quick adoption by citizens. I think today they’re leading the charge on DPI implementation much faster. Among them, on the digital identity issue: the Dominican Republic is one, El Salvador is another. These are countries that today are leading in digital identity, and they owe all of this to digital public infrastructures.

 

And what about generative artificial intelligence: how can it help in this implementation in this transition?

I don’t know if it can help. I think we’re a region where we are consumers of artificial intelligence and not producers. And that’s a big problem: consuming what comes from outside instead of what we need to generate with our own identity, our own policies, our own biases—not foreign biases. But that leap toward using artificial intelligence needs data. And that data has to be provided by the State, based on data protection.

I think that if we can’t move forward on a digital government structure—leaving behind the siloed compartments and starting to work on a data infrastructure—we won’t be able to be AI producers and we’ll be consumers. I think the first step in Latin America is to aim to be AI producers and use its digital public infrastructures as the foundation. Otherwise, we’ll be eternal consumers and we’ll just do what we’re told from outside, without a vision of our own identity and our own political vision. Because, traveling and asking many people in Latin America how cooperation between countries can be strengthened, I found that everyone says “yes, we have to do it,” but no one is doing it.

Do you have an idea of what steps could be taken?

Today there’s a network, the Latin American and Caribbean e-Government Network. It’s an excellent starting framework for this kind of discussion. It brings together the top technology and innovation authorities from Latin America and the Caribbean, and it’s promoted by the Inter-American Development Bank (IDB) and the OAS. I think it’s an excellent framework for initial discussion, but it’s a very technical framework. And I think we no longer need a technical discussion: we need a political and social one.

So the discussion has to take place in bodies like the OAS, for example, where work policies can be defined for all countries. I leave it as an open question in the thesis: if it’s not the OAS, it could be Mercosur, for example, or other regional organizations that could take on that leadership. But there has to be leadership from a supranational body to drive this discourse. I think it’s time to think: you can’t think of everything from within a single country. If you really want to work on this issue, you have to think about it regionally. Geopolitics is changing, and I think it’s time for Latin America to start having more of a bloc-level vision to protect its priorities. Otherwise, we’ll be dependent on whatever decision is made elsewhere.

 

Out now: Art, Activism, Academia: Changemaking in Contemporary Amsterdam

The Institute of Network Cultures is proud to present the first publication of its last intern at HvA, Noah Pellikaan, produced at INC in the first half of 2026:

Art, Activism, Academia: Changemaking in Contemporary Amsterdam is a collected, fragmentary volume speaking on left-wing social movements in Amsterdam’s artistic and academic spheres, with an emphasis on the 2015-2024 period. This book contains writings and interviews of varying literary style and formula, with collaborators across and surpassing fields of academic, political, and artistic practice. It’s lessons are resultant from Amsterdam, yes, though applicable far beyond it. The intent of Art, Activism, Academia is that of the generative archive, to create and curate activistic memory so as to intervene toward a better today.

With contributions from Mumia Abu-Jamal; Harriët Bergman; Tashina Blom; Joost de Bloois; Floris Boudens; Deniz Buga; Sepp Eckenhaussen; Sam Hamer; Het Groene Veld; Image Acts Collective; Anouk van der Jagt; Willem Jebbink; Aylin Kuryel; Yfke Laureijssen; Alina Lupu; the Not Surprised Collective; Ahmet Öğüt; Noah Pellikaan; Prison Radio; Enzo Rossi; Hay Schoolmeesters; Jordi Viader Guerrero; M. Yuan; Fırat Yücel and Carine Zaayman.

From the introduction of the anthology editor, Noah Pellikaan:

This book comes into being in a time of uncertainty and loss-stagnation. Walter Benjamin’s phantasmagoria is becoming exposed as shadowplay (an adequate marker is seen in the popularization amongst United States liberals of the supposedly polemical view that The American Dream has died), but an alterity of immanence and political anti-teleologism has not broken into the mainstream. Yet. Our period of rapidity and simultaneity, increasingly described as that of permacrises is elucidated in the 2024 MetaForumX: Permacrises handout as follows:

“While some speak of a ‘stack of crises’, others use terms such as polycrisis and metacrisis. Permacrisis emphasizes time: a never-ending end. It questions how to confront crises such as the hot wars in Ukraine or Gaza, or the warm wars across the global south, the rise of right-wing populism worldwide, the impending environmental catastrophe, and the growing social disparities globally. None of these crises can be separated from the current ascent of technocracy or the exploitative nature of digital capitalism.”

Or as girl theorist Mela Miekus elaborates: “Everything happens in the now, but this now is not an embodied present moment; rather it is a hyper-now that scatters into many parallel nows. The now is essentially everything everywhere all at once”. Though an unenthused view of the now(s) does not dispute that this is also a time of great resistance. A time which blends the hedonic and the anhedonic; which is marked by oscillation and unsurety, and which recognizes that unsurety and destabilization may precondition emancipation. The schism is our most consequential ally.

More info and the download link of the pdf you can find here: https://networkcultures.org/blog/publication/art-activism-academia-changemaking-in-contemporary-amsterdam/